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Justice is on trial in the United States. From police to prisons, the justice system is accused of overpunishing. It is said that too many Americans are abused by the police, arrested, jailed, and imprisoned. But the denunciations are overblown. The data indicates, contrary to the critics, that we don’t imprison too many, nor do we overpunish. This becomes evident when we examine the crimes of prisoners and the actual time served. The history of punishment in the United States, discussed in vivid detail, reveals that the treatment of offenders has become progressively more lenient. Corporal punishment is no more. The death penalty has become a rarity. Many convicted defendants are given no-incarceration sentences. Restorative justice may be a good thing for low-level offenses, or as an add-on for remorseful prisoners, but when it comes to major crimes it is no substitute for punitive justice. The Myth of Overpunishment presents a workable and politically feasible plan to electronically monitor arrested suspects prior to adjudication (bail reform), defendants placed on probation, and parolees.
Author/poet/journalist Gabriel Hart compresses twenty pieces of his most irreverent 'world-burning' fiction spanning 2015-2020, including the previously unpublished novelette-length American nightmare Skattertown. "Gabriel Hart is hands down one of the most energetic writers out there. In fact, I'm hard-pressed to name one besides Hunter S. Thompson off the top of my head that could crank out line after line of insightful, muscular, serpentine prose and make it look so easy. And Hart's energy isn't only apparent because he's a musician, a journalist, a fiction writer, and a poet whose seemingly tireless productivity is tough to keep up, but because the words he lays down--no matter the form or genre--are highly charged and consistently propulsive. Always. Without fail. I have yet to read a paragraph or stanza or sentence of his that I haven't reread multiple times simply out of reverence for the skill on display." -- William S. Soldan, author of In Just the Right Light
In Acts of Resistance in Late-Modernist Theatre, Richard Murphet presents a close analysis of the theatre practice of two ground-breaking artists – Richard Foreman and Jenny Kemp – active over the late twentieth and the early twenty-first century. In addition, he tracks the development of a form of ‘epileptic’ writing over the course of his own career as writer/director. Murphet argues that these three auteurs have developed subversive alternatives to the previously dominant forms of dramatic realism in order to re-think the relationship between theatre and reality. They write and direct their own work, and their artistic experimentation is manifest in the tension created between their content and their form. Murphet investigates how the works are made, rather than focusing upon an interpretation of their meaning. Through an examination of these artists, we gain a deeper understanding of a late modernist paradigm shift in theatre practice.
Preliminary Material -- List of Figures -- Series Editor's Preface -- Acknowledgements -- Introduction -- The International Generation of 1968: Theatre and Culture -- The Australian Performing Group and Its Legacy, 1968-2008 -- Williamson in the Howard Years -- John Romeril - The Asian Australian Journey -- A Parallel Forty-Year Female Narrative with Alma De Groen -- Richard Murphet and the Wounded Subject -- Jenny Kemp - On the Edge -- Stephen Sewell and the State of the Nation -- Conclusion -- Bibliography -- Index.
The United States has by far the world’s largest population of incarcerated people. More than a million Americans are imprisoned; hundreds of thousands more are held in jails. This vast system has doled out punishment—particularly to people from marginalized groups—on an unfathomable scale. At the same time, it has manifestly failed to secure public safety, instead perpetuating inequalities and recidivism. Why does the United States see punishment as the main response to social harm, and what are the alternatives? This book brings together essays by scholars, practitioners, activists, and writers, including incarcerated and formerly incarcerated people, to explore the harms of this pun...
Offering an original legal definition of shaming, this incisive book argues for greater attention to shaming by legal scholars and practitioners. Suggesting nuanced procedures to regulate shaming in diverse areas of law, it seeks to make shaming by legal entities legitimate and effective, and to use legal mechanisms to limit inappropriate shaming in non-legal contexts.
Punishment for the Greater Good examines the justification of punishment in the here and now, recognizing that we are uncertain about matters of both fact and value. With over ten million people incarcerated around the world, we don't have time to wait for the perfect moral theory: Kolber shows how to do the best we can with what we already know.
This is an ideal text for motor behaviour and cognitive psychology courses, as well as a reference for professionals with an interest in motor behaviour and human movement. It explores how focus of attention can affect motor performance, particularly the learning of motor skills.
Celia and Alice share everything - their secrets, their hopes and now their increasing horror that a killer is on the loose, abducting schoolgirls just like them. Three bodies have been found, each shrouded in hand-woven fabric. From within the depths of a police investigation, clues start to emerge. As Alice and Celia discover the truth, danger is closer than anyone knows. Who can be trusted at a time like this? "Cry Blue Murder" is a haunting and poignant psychological thriller that pushes the boundaries of trust and betrayal, from two exciting new voices in Australian young adult fiction.