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The Lonesome West
The Lonesome West was first presented as a Druid Theatre company and Royal Court co-production in the summer of 1997. 'The play combines manic energy and physical violence in a way that is both hilarious and viscerally exciting' Daily Telegraph Valene and Coleman, two brothers living alone in their father's house after his recent death, find it impossible to exist without massive and violent disputes over the most mundane and innocent of topics. Only father Welsh, the local young priest, is prepared to try to reconcile the two before their petty squabblings spiral into vicious and bloody carnage.
Circle of Friends
“[An] irresistible invitation to share the lives of people who believe in enduring values.”—Detroit Free Press It began with Benny Hogan and Eve Malone, growing up, inseparable, in the village of Knockglen. Benny—the only child, yearning to break free from her adoring parents. . . . Eve—the orphaned offspring of a convent handyman and a rebellious blueblood, abandoned by her mother's wealthy family to be raised by nuns. Eve and Benny—they knew the sins and secrets behind every villager's lace curtains . . . except their own. It widened at Dublin, at the university where Benny and Eve met beautiful Nan Mahlon and Jack Foley, a doctor's handsome son. But heartbreak and betrayal would bring the worlds of Knockglen and Dublin into explosive collision. Long-hidden lies would emerge to test the meaning of love and the strength of ties held within the fragile gold bands of a. . . Circle Of Friends. Praise for Circle of Friends “A rare pleasure . . . at terrific tale, told by a master storyteller.”—Susan Isaacs, The New York Times Book Review “Circle of Friends welcomes you in.”—The Washington Post
The Lieutenant of Inishmore
A Student Edition of McDonagh's dramatic engagement with Republican paramilitaries, first produced by the RSC in 2000.
Walking With Ghosts
In vivid, melodic prose, Gabriel revisits his childhood in Ireland, a world that has long since been renovated by time, and juxtaposes these memories with scenes from later years, in which he develops and occupies that strange identity of movie star. Impressionistic and sensual, Byrne's visions of home, of boyhood and adolescence, are gracefully interspersed with jump-cuts to pointedly unglamorous scenes from his life as he becomes an actor, as he becomes celebrated, as he becomes forever recognizable. Byrne is interested in exploring the pathos in what it means to be famous, in what it means to be praised when everything you’ve learned tells you that are not worthy of praise.
Girls and Dolls
Promising young female Northern Irish writer.
Sive
Featuring new notes written by English teacher and daughter of John B. Keane, Joanna Keane O'Flynn. Suitable for both Senior and Junior cycle classes. Sive is a young and beautiful orphan who lives with her uncle Mike, his wife Mena and his mother Nanna. A local matchmaker, Thomasheen Sean Rua, wants Sive to marry an old man called Sean Dóta. Thomasheen convinces Mike and Mena to organise the marriage. They will receive a sum of two hundred pounds as soon as she marries him. However, Sive is in love with a young man, Liam Scuab. But Liam is not suitable and is refused permission to marry Sive. Sive is distraught but is forced to do the will of her uncle and his bitter wife. Faced with an unthinkable future she takes the only choice left to her. Set against the harsh poverty and difficult times of 1950s Ireland, Sive caused considerable controversy on its debut in February 1959. Since then it has become an established part of Ireland's theatrical canon.
The Cripple of Inishmaan
In 1934, the people of Inishmaan learn that the Hollywood director Robert Flaherty is coming to the neighbouring island to film his documentary Man of Aran. No one is more excited than Billy, an unloved and crippled boy whose chief occupation has been gazing at cows and yearning for a girl who wants no part of him. For Billy is determined to cross the sea and audition for the Yank. As news of his audacity ripples through his rumour-starved community, The Cripple of Inishmaan becomes a merciless portrayal of a world so comically cramped and mean-spirited that hope is an affront to its order. With this bleak yet uproariously funny play, Martin McDonagh fulfilled the promise of his award-winning The Beauty Queen of Leenane while confirming his place in a tradition that extends from Synge to O'Casey and Brendan Behan.
Tuesdays with Morrie
Its been ten years since Mitch Albom first shared the wisdom of Morrie Schwartz with the world. Now twelve million copies later in a new afterword, Mitch Albom reflects again on the meaning of Morries life lessons and the gentle, irrevocable impact of their Tuesday sessions all those years ago. Maybe it was a grandparent, or a teacher, or a colleague. Someone older, patient and wise, who understood you when you were young and searching, helped you see the world as a more profound place, gave you sound advice to help you make your way through it. For Mitch Albom, that person was Morrie Schwartz, his college professor from nearly twenty years ago. Maybe, like Mitch, you lost track of this ment...
The Full Monty
In 1997, a BAFTA award-winning British film about six out of work Sheffield steelworkers with nothing to lose took the world by storm. And now they’re back, live on stage, only for them, it really has to be The Full Monty. Simon Beaufoy, the Oscar-winning writer of the film, has now gone back to Sheffield where it all started to rediscover the men, the women, the heartache and the hilarity of a city on the dole. The Full Monty was the winner of the UK Theatre Best Touring Production award 2013.
The Beauty Queen of Leenane
The Beauty Queen of Leenane tells the darkly comic tale of Maureen Folan, a plain and lonely woman in her early forties, and Mag her manipulative ageing mother whose interference in Maureen's first and potentially last loving relationship sets in motion a train of events that is as gothically funny as it is horrific.
