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A tribute to the finest writers on the game of cricket and an acknowledgement that the great days of cricket literature are behind us. There was a time when major English writers – P. G. Wodehouse, Arthur Conan Doyle, Alec Waugh – took time off to write about cricket, whereas the cricket book market today is dominated by ghosted autobiographies and statistical compendiums. The Picador Book of Cricket celebrates the best writing on the game and includes many pieces that have been out of print, or difficult to get hold of, for years. Including Neville Cardus, C. L. R. James, John Arlott, V. S. Naipaul, and C. B. Fry, this anthology is a must for any cricket follower or anyone interested in sports writing elevated to high art.
In our deepest grief we still turn instinctively to poetry for solace. These poems, drawn from many different ages and cultures, remind us that the experience of parting is a timelessly human one: however alone the loss of a loved one leaves us, our mourning is also something that deeply unites us; these poems of parting and passing, of sorrow and healing, will find a deep echo within those who find themselves dealing with grief or bereavement. Whatever our loss, it is assuaged in finding a voice – and whether that voice is one of private remembrance or public memorial, The Picador Book of Funeral Poems will help you towards it.
Recounts the career of the rock music performer.
What if society wasn't fundamentally rational, but was motivated by insanity? This thought sets Jon Ronson on an utterly compelling adventure into the world of madness. Along the way, Jon meets psychopaths, those whose lives have been touched by madness and those whose job it is to diagnose it, including the influential psychologist who developed the Psychopath Test, from whom Jon learns the art of psychopath-spotting. A skill which seemingly reveals that madness could indeed be at the heart of everything . . . Combining Jon Ronson's trademark humour, charm and investigative incision, The Psychopath Test is both entertaining and honest, unearthing dangerous truths and asking serious questions about how we define normality in a world where we are increasingly judged by our maddest edges. 'The belly laughs come thick and fast – my God, he is funny . . . provocative and interesting' – Observer
Winner - Edward Stanford Travel Memoir of the Year 2019. Longlisted for the Rathbones Folio Prize. 'An extraordinary travelogue, strange and brilliant' i In 2013 Guy Stagg made a pilgrimage from Canterbury to Jerusalem. Though a non-believer, he began the journey after suffering several years of mental illness, hoping the ritual would heal him. For ten months he hiked alone on ancient paths, crossing ten countries and more than 5,500 kilometres. The Crossway is an account of this extraordinary adventure. Having left home on New Year's Day, Stagg climbed over the Alps in midwinter, spent Easter in Rome with a new pope, joined mass protests in Istanbul and survived a terrorist attack in Lebano...
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‘This collection of thirty-nine Latin American short stories, emphasizing urban, cosmopolitan experience, resets the form . . . Among the best of the stories focusing on youthful rites of passage is Antonio Skarmeta’s “The Cyclist of San Cristobal Hill” in which the belief that his mother is dying makes an adolescent boy do well in a bicycle race. The exquisitely written “Don’t Tell Her You Love Her” by the Cuban writer Senal Paz concentrates the confusions and awkwardness of adolescence into a rich interior monologue relating how a boy’s plan to lose his virginity is nearly derailed by Che Guevara . . . This book has the huge merit of introducing a wealth of talented writers unknown in English; well over a third of the stories appear in English for the first time . . . by bombarding the reader with unfamiliar names speaking in a babel of new tones, Julio Ortega and Carlos Fuentes assert the continuing vigour of Latin American fiction’ Stephen Henighan, Times Literary Supplement
This anthology challenges what is defined as travel writing, as it is arranged as a journey, but not chronologically. It includes Flaubert in Egypt, Elizabeth David in the Mediterranean, and writers and discoverers such as Chekhov, Darwin, Doris Lessing, Tobias Wolff and V.S. Naipaul.
Translations from Hindi, Bengali, Urdu, Tamil and the South sit alongside writing in English, bringing to light the greatest and most engaging writers from India's recent history. With introductions to the writers and their work, this is an electic and enlightening anthology of Indian writing.
From the national bestselling, National Book Critics Circle Award-winning author of Bad Land comes “a lively, intensely personal recounting of a voyage into a gifted writer's country and self” (The New York Times Book Review). Put Jonathan Raban on a boat and the results will be fascinating, and never more so than when he’s sailing around the serpentine, 2,000-mile coast of his native England. In this acutely perceived and beautifully written book, the bestselling author of Bad Land turns that voyage–which coincided with the Falklands war of 1982-into an occasion for meditations on his country, his childhood, and the elusive notion of home. Whether he’s chatting with bored tax exiles on the Isle of Man, wrestling down a mainsail during a titanic gale, or crashing a Scottish house party where the kilted guests turn out to be Americans, Raban is alert to the slightest nuance of meaning. One can read Coasting for his precise naturalistic descriptions or his mordant comments on the new England, where the principal industry seems to be the marketing of Englishness. But one always reads it with pleasure.