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The development, promotion, and status of African art and African artists in twentieth-century Africa is linked to several stakeholders and agencies, including Western Christian missions. Fadhili Safieli Mshana, in African Artists under Mission Patronage, surveys how mission patronage of African artists influenced twentieth-century African art, presenting specific case studies of Oye-Ekiti Workshop (Nigeria), Cyrene and Serima missions (Zimbabwe), Grace Dieu and Rorke’s Drift missions (Republic of South Africa), Kungoni Center of Culture and Art (Malawi), and Nyumba ya Sanaa/NYS or “House of Art,” Bujora Mission, the Hernnhut Brethren of Urambo Mission, the Benedictine Abbey Ndanda, an...
In a series of focused studies related to the event that has generated the richest literature in exile studies – the intellectual exiles arising out of Nazi rule – this volume reconsiders a number of issues raised by that literature, notably the multiple, complex and changing negotiating processes and bargaining structures constitutive of exile, especially as the question of return interplays with the politics of memory.
Explores the dynamics of African masquerades and mask performances on the continent, linking performative expressions to societal characteristics. What is the meaning of masks and masquerades in African traditions and how can we understand their role in rituals and performances? Why do we find masks in some African regions and not in others, and what does this 'mask habitat' say about the general dynamics of masquerades in Africa? Though masks are among the most famous art icons of Africa, exploration of their uses and the way in which they articulate social characteristics of African societies has been underexamined. This book takes an anthropological perspective on the phenomenon of masque...
Lexical Functional Grammar (LFG) is a nontransformational theory of linguistic structure, first developed in the 1970s by Joan Bresnan and Ronald M. Kaplan, which assumes that language is best described and modeled by parallel structures representing different facets of linguistic organization and information, related by means of functional correspondences. This volume has five parts. Part I, Overview and Introduction, provides an introduction to core syntactic concepts and representations. Part II, Grammatical Phenomena, reviews LFG work on a range of grammatical phenomena or constructions. Part III, Grammatical modules and interfaces, provides an overview of LFG work on semantics, argument...
Comment penser la puissance africaine et les enjeux de la transition hgmonique globale au 21e sicle ? Telle est la question thmatique centrale de cet ouvrage qui se veut un cahier de recherche doctrinale en polmologie et en irnologie endognes, dans un contexte o la mondialisation des enjeux scuritaires signifie pour lAfrique, un reclassement gostratgique du continent o le maintien de la paix et la rsolution des conflits sont devenus un terrain daffirmation de puissance. Analytique et oprationnelle, cette publication est le fruit de nombreuses expriences de terrain, de missions denseignements, de travaux ditoriaux, de publications scientifiques et de confrences internationales.
African grassroots theologies and churches are expressions of the faith, spirituality, and praxis of African Christians who seek to articulate and live out their Christian identity and mission in their diverse and complex contexts. These include African Initiated Churches, black theology movements, liberation theology movements, and other forms of contextual and indigenous theologies and ecclesiologies that emerge from the experiences. In exploring the dynamics in African Christianity and theologies, the volume addresses the following questions: How do African grassroots theologies and churches reflect and respond to the challenges and opportunities of their socio‐political, economic, cult...
Applied Theatre and Gender Justice is a collection of essays highlighting the value and efficacy of using applied theatre to address gender in a broad range of settings, identifying challenges, and offering concrete best practices. This book amplifies and shares lessons from practitioners and scholars who use performance to create models of collective solidarity, building upon communities’ strengths toward advocating for justice and equity. The book is divided into thematic sections, comprising three essays addressing a range of questions about the challenges, learning opportunities, and benefits of applied theatre practices. Further exploring the themes, issues, and ideas, each section en...
This book discusses patterns of predication and their grammatical and semantic implications in a variety of African languages. It covers several prominent topics about predication in the languages, including locative predication, expressions of tense, aspect, and mood in relation to verbal complexes and verb serialisation, verb semantics, and nominalization of predicates. The chapters take inspiration from Felix Ameka’s approach to the study of language according to which the main task of a linguist is to collaborate with language users to understand communicative practices in different contexts and to uncover how these practices impact grammatical and semantic aspects of the language. Accordingly, the descriptions and analyses in this book serve to understand language variation in different ecologies, rather than to impose pre-established descriptive frames on less described languages. Together, the chapters in the book represent a bird’s eye view of predication strategies in various African languages and can therefore serve as readings for both introductory and advanced level courses on predication from a typological or comparative perspective.
This book investigates the thematic and conceptual dimensions of insidious trauma in contemporary eastern African literatures and cultural productions. The book extends our understanding of trauma beyond people’s immediate and conventional experiences of disastrous events and incidents, instead considering how trauma is sustained in the aftermaths, continuing to impact livelihoods, and familial, social, and gender relationships. Drawing on different circumstances and experiences across and between the eastern African region, the book explores how emerging cultural practices involve varying modes of narrating, representing, and thematising insidious trauma. In doing so, the book considers different forms and practices of cultural production, including fashion, social media, film, and literature, in order to uncover how human subjects and cultural artefacts circulate through modalities of social, cultural and political ecologies. Transdisciplinary in scope and showcasing the work of experts from across the region, this book will be an important guide for researchers across literature, media studies, sociology, and trauma studies.