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An introduction to geographical information systems (GIS) for planning and automated map production, written by academic and industrial professionals participating in the European Science Foundation's GIDATA Scientific Programme. The book overviews the key problems in "generalization" and automation, presenting alternatives and speculative solutions in object oriented methods. Discussions distinguish between modeling and graphical representation, describe artificial intelligence techniques for implementing automated generalization routines, and address the issues of data quality. Since no GIS is currently equipped with full generalization capabilities, these studies provide valuable information in uncharted territory. Annotation copyright by Book News, Inc., Portland, OR
Clippings from the Anadarko daily news concerning the Anadark High School class of 1951, their neighbors and contemporaries.
Jane Adams focuses on the transformation of rural life in Union County, Illinois, as she explores the ways in which American farming has been experienced and understood in the twentieth century. Reconstructing the histories of seven farms, she places the details of daily life within the context of political and economic change. Adams identifies contradictions that, on a personal level, influenced relations between children and parents, men and women, and bosses and laborers, and that, more generally, changed structures of power within the larger rural community. In this historical ethnography, Adams traces two contradictory narratives: one stresses plenitude--rich networks of neighbors and k...
Considers film as a form of Buddhist ritual and contemplative practice. In this important new contribution to Buddhist studies and Buddhist film criticism, Francisca Cho argues that films can do more than simply convey information about Buddhism. Films themselves can become a form of Buddhist ritual and contemplative practice that enables the viewer not only to see the Buddha, but to see like the Buddha. Drawing upon her extensive knowledge of both Buddhism and film studies, Cho examines the aesthetic vision of several Asian and Western films that explicitly or implicitly embody Buddhist teachings about karma, emptiness, illusion, and overcoming duality. Her wide-ranging analysis includes Spring, Summer, Fall, Winter and Spring (South Korea, 2003), Nang Nak (Thailand, 1999), Rashomon (Japan, 1950), Maborosi (Japan, 1995), and the films of American Terrence Malick.
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