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Smoothing the Ground
A compilation of essays and translations in which leading scholars in the fields of linguistics, folklore, ethnopoetics and literary criticism discuss the continuing American Indian oral tradition as literature. Native Americans invested the spoken word with reverence and power, and the oral literature that resulted from the fusing of language and event into vital force is extraordinarily rich and potent. Authors such as Dell Hymes, Karl Kroeber, Dennis Tedlock, Jarold Ramsey and John Bierhorst address the many aspects of the study of this literature, from the problem of translation and of the role of the literary critic to the interpretation of specific stories. ISBN 0-520-04902-0 : $12.95.
Water Symposium
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A Metaphoric Mind
"Dr. Joe challenges the reader to examine both Aboriginal and non-Aboriginal approaches to the world and demonstrates the differences between Indigenous knowledge and Western thought."--Ed Buller.
Dancing on Common Ground
"This unique book combines linguistics, history, archaeology, and anthropology into a whole overview of the development of tribal alliances and self-governance through time. No other scholar addresses so successfully and so well the imagery of political and historical issues through dance". -- C. Blue Clark, author of Lone Wolf v. Hitchcock.
A Forest of Time
Publisher Description
Living Sideways
Native American tricksters can be buffoons, transformers, social critics, teachers, and mediators between human beings, nature, and the gods. A vibrant part of American Indian tradition, the trickster has shown a remarkable ability to adapt into the twenty-first century. In Living Sideways, Franchot Ballinger provides the first full-length study of the diverse roles and dimensions of North American Indian tricksters. While honoring their diversity and complexity, he challenges stereotypical Euro-American treatments of tricksters. Drawing from the most influential scholarship on Native American tricksters, Ballinger shows how many critics have failed to consider both the specifics of trickste...
Where "Indians" Fear to Tread?
The two fields of contemporary Native American literature and culture exist in the tension between two literary traditions: the Native oral and literary tradition and the modern Western mainstream literary influence. In her North Dakota quartet Love Medicine (1984), The Beet Queen (1986), Tracks (1988), The Bingo Palace (1994), Native American mixedblood author, Louise Erdrich (b. 1954) exemplifies where and how these traditions meet and interact. A postmodern reading of the quartet shows that Native American authors and literary critics alike need not be afraid to tread into postmodernism, since an interpretation from this perspective opens up the possibility of freeing Native American lite...
Farm Smart
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The Indian Historian
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