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Image and Inscription features the work of many of Canada’s distinguished authors, critics, curators, and artists who are recognized for their contribution to the discourse and practice of photography... it presents the diversity and the changeable milieu of photographic practice and evokes an unanticipated moment in Canadian photography. It also represents an important step in expanding the contemporary authorship on photography in Canada." - adapted from the Introduction by Robert Bean
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This catalogue grew out the slytod exhibition at Gallery 1. 1. 1. from 19 October until 14 November 1997 by Diana Thorneycroft. The catalogue includes 20 of Thorneycroft’s silver prints, an Introduction by Serena Keshavjee, and essays by Martha Langford and Chris Townsend.
George Johnson arrived in Australia from New Zealand in 1952 and in 1956 held his first exhibition of abstract painting in Melbourne. This book marks the artist's 80th birthday and fifty years of singular dedication to philosophy-based abstract imagery. Johnson's work is uniquely consistent - rarely straying from compositions based on primary shapes and a limited range of colour preferences, but demonstrating how these minimal means can, in combination, serve as surrogates for complex ideas. Additional contributors to the next include the artist's brother, renowned New Zealand poet, Louis Johnson; Australian poet and critic, Gary Catalano and Melbourne philosopher, Patrick Hutchings.
All Amazed celebrates the life and work of the late Roy Kiyooka (1926-1994), one of Canada's first multi-disciplinary artists whose work transcended categorical and cultural exclusivity. At various periods of his life, Kiyooka was a painter, sculptor, teacher, poet, musician, filmmaker, and photographer. When Kiyooka arrived in Vancouver in 1959, he was already one of Canada's most respected abstract painters. His modernist stance at the time inspired a generation of Vancouver painters to reach beyond regionalism. In the sixties and seventies, Kiyooka began to write and publish poetry and produce photographic works; the best known of these, StoneDGloves (1969-1970), is both a poetic and phot...
Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.
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