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Female anthropologists scan patterns and changes in women's roles in various social systems
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This 1973 book analyses the changing position of women in an urban context in sub-Saharan Africa. In spite of the fact that women, at the time of publication, were often important leaders of opinion and in these countries the proportion of women in professional work was at least as large as in Britain, few researchers and even fewer television and newspaper reporters paid them sufficient attention. As the new role of women in Africa was peculiarly a phenomenon of the city, Professor Little's book uses the concept of urbanization in order to analyse the radical changes taking place. He shows how certain women's movements were growing out of the African woman's desire for a new relationship with the man. This leads him to consider the part played by women in the political arena, and women's position not only in monogamous marriage, but also in extra-marital and sexual relationships.
"AIDS has been a devastating plague in much of Sub-Saharan Africa, yet the long-term implications for gender and sexuality are just emerging. This book examines how AIDS has altered the ways masculinity is lived in Uganda, a country known as Africa's great AIDS success story. Based on extensive ethnographic research in an urban slum community called Bwaise, this book reveals the persistence of masculine privilege in the age of AIDS and the implications such privilege has for men's and women's health and wellbeing in Uganda and beyond"--
This is the first comprehensive assessment of the end of slavery in Africa. Editors Suzanne Miers and Richard Roberts, with the distinguished contributors to the volume, establish an agenda for the social history of the early colonial period--hen the end of slavery was one of the most significant historical and cultural processes. The End of Slavery in Africa is a sequel to Slavery in Africa, edited by Suzanne Miers and Igor Kopytoff and published by the University of Wisconsin Press in 1977. The contributors explore the historical experiences of slaves, masters, and colonials as they all confronted the end of slavery in fifteen sub-Saharan African societies. The essays demonstrate that it is impossible to generalize about whether the end of slavery was a relatively mild and nondisruptive process or whether it marked a significant change in the social and economic organization of a given society. There was no common pattern and no uniform consequence of the end of slavery. The results of this wide-ranging inquiry will be of lasting value to Africanists and a variety of social and economic historians.
Exploring the origins, organization, subject matter, and performance contexts of singers and singing, Women's Songs from West Africa expands our understanding of the world of women in West Africa and their complex and subtle roles as verbal artists. Covering Côte d'Ivoire, the Gambia, Mali, Niger, Nigeria, Senegal, and beyond, the essays attest to the importance of women's contributions to the most widespread form of verbal art in Africa.