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A programme text edition published to coincide with the world premiere at the Royal Court Theatre, London, on 27 February 2009. Take one baby and a mother who's not sure if she's ready. Add a soldier returned from war and a grandmother holding the fort. Mix in a landscape of flatness and a pinch of violence in the countryside and maybe, just maybe, you'll get a miracle. A play about wanting a better life.
Does God hear us when we cry to Him in the silence of our hearts? Gary Taylor is like most drug addicts. He's insolent, manipulative, untrusting, and secretive; but there's one secret he has never told even his brother. The secret's out when his parents, Frank and Charlene Taylor, are forced into their last resort for intervention. How could this kind of thing exist in a God-fearing family like theirs? What went wrong? Where do they begin? The devastating effects of this unfolding secret disrupts all their lives. Their recovery journey begins in Gary's high school years. Each member of the Taylor family reveals their own secrets and learns from a God they thought they knew.
Villages, Ghosts, Lovers....And Red Rice is a hauntingly delightful true story of events that took place in the life of an African American family living in Savannah, Georgia from 1963 to 2000. Both dramatic and, at times, twistingly humorous, the story touches on root working, controversial interracial relationships, an eccentric 'dognapper', a piano teacher's relationship with a wealthy antique dealer who holds dark secrets, and other equally interesting events and personalities. Though centered in Savannah, events also take place in Manhattan New York, New Orleans, and on Martha's Vineyard. Rich in both Southern and African American culture, Villages, Ghosts, Lovers....And Red Rice reveals the spirit of a city that lures people to its sultry climate and mesmerizing beauty....and never let's go!
This novel takes place in a mining camp near Bessemer, Alabama in the early 1930's. The Author was a pre-teen at the time and lived in the community known as Potters Camp. The houses in the camp belonged to The Company and were rented to the miners. Potters was primitive, even by standards of the day. There was no electricity and no indoor plumbing. These people were very poor. But they were hard working, strong, proud, and for the most part they were God fearing. The miners worked long dangerous hours in the mines for little pay. They traded at the company store and with the few local merchants, most often on credit, and often their pay envelopes failed to cover what they owed on payday. They and their families supplemented their meager wages by raising vegetables, keeping livestock, and the women made most of the families' clothes. At this time there was struggle and conflict over efforts to unionize the miners. The Author carried her memories of Potters into the early 1960's when she put them on paper in the form of this novel. The manuscript went unseen until the children found it while cleaning out the home place after it had been sold, several years after her death.
This “page-turning biography” reveals the extraordinary life of the children’s book author behind Goodnight Moon and The Runaway Bunny (BookPage). Millions of people around the world know Margaret Wise Brown through her classic works of children’s literature. But few know that she was equally remarkable for her business savvy, her thirst for adventure, and her vital role in a children’s book publishing revolution. Margaret used her whimsey and imagination to create stories that allowed girls to see themselves as equal to boys. And she spent days researching subjects, picking daisies, and observing nature, all in an effort to precisely capture a child’s sense of wonder as they dis...
A famous artist invites her old friends out to her luxurious new home and, for one night only, the group is back together. However, celebrations come to an abrupt end when the host suffers an horrific accident. As the victim lies in a coma, an almost unthinkable plan starts to take shape: could her suffering be their next work of art? The group is ecstatic in its new found project until things slip out of their control and, to the surprise of all, the patient awakes... pool (no water) is a visceral and shocking new play about the fragility of friendship and the jealousy and resentment inspired by success. Citizenship is a bittersweet comedy about growing up, following a boy's frank and messy search to discover his sexual identity. It was developed as part of the National Theatre Shell Connections 2005 Programme
Thirteen-year-old Amy McDougall is worried about Travis, the single gay guy who adopted her when she was a kid. He wants a boyfriend yet isn't having any luck finding one himself. Amy decides the solution is for someone else to do the finding. Someone like her! Amy's first attempts at matchmaking are embarrassing flops, despite advice from her hyper-smart best friend Grace. But then Amy hits the jackpot, getting Travis together with her middle school Spanish teacher, Enrique Diaz. ¡Muy bien! "I'm a master matchmaker," Amy boasts to Grace. Grace isn't impressed. "One measly match does not prove you're a master matchmaker," she insists. Determined to lay claim to the title, Amy makes a match between Edith, Grace's mom, and Brian, a handsome businessman. After that, she even finds Grace a boyfriend, nerdy-but-cute Denry. By now Amy is sure no one can deny that she's Amy McDougall, Master Matchmaker. Still, Amy soon finds there can be a price to pay for meddling in other people's lives. Amy McDougall, Master Matchmaker is a fun and engaging tale which takes a fresh look at important subjects like love and friendship
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