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American and British Poetry: 1979-1990
Includes approximately 800 British and American poets, past and present, with criticisms drawn from more than 160 journals and 300 books
South of Our Selves
This study examines the work of six American poets who visited Mexico in the 1950s, discussing the complex relationships between location, writing, society, history and dislocation. By interacting with Mexican culture and writing about the experience, these poets had to come to terms with the foreign as well as explore their own identities as Americans. Experiencing Mexico inspired these poets to use many different voices in their poetry, a style in opposition to the hegemony of 1950s American culture. This study compares and contrasts the poets, particularly in terms of class, race, sexual orientation, and gender, and which strategies of "going foreign" each uses. Each chapter examines a poem or series of poems based upon a trip to Mexico. Analyzed in detail are Williams' The Desert Music, Kerouac's Mexico City Blues, Corso's "Mexican Impressions" and "Puma in Chapultepec Zoo," Ginsberg's Siesta in Xbalba, Levertov's "Tomatlan" and others, and Hayden's An Inference of Mexico.
Conversations with Stanley Kunitz
“He again tops the crowd—he surpasses himself, the old iron brought to the white heat of simplicity.” That's what Robert Lowell said of the poetry of Stanley Kunitz (1905–2006) and his evolving artistry. The interviews and conversations contained in this volume derive from four decades of Kunitz's distinguished career. They touch on aesthetic motifs in his poetry, the roots of his work, his friendships in the sister arts of painting and sculpture, his interactions with Lowell and Theodore Roethke, and his comments on a host of poets: John Keats, Walt Whitman, Randall Jarrell, Wallace Stevens, and Anna Akhmatova. Kunitz emerged from a mid-sized industrial town in central Massachusetts...
Bittersweet Legacy
Bittersweet Legacy is a collection of poetry, short stories and art inspired by the Holocaust. It is a book born of paradox, evoking remembrances of the darkest moments known to humankind by utilizing the power and beauty of the creative force. The writers and artists represented in this book are individuals who were driven to respond to the extremities that define the Holocaust. Some are accomplished in their fields, others have created in an attempt to understand and give form to their sorrow and quest for meaning. Each voice expresses a singular reprise. Together they forge a resounding voice in response to the six million voices that were silenced.
Holocaust Literature: Lerner to Zychlinsky, index
Review: "This encyclopedia offers an authoritative and comprehensive survey of the important writers and works that form the literature about the Holocaust and its consequences. The collection is alphabetically arranged and consists of high-quality biocritical essays on 309 writers who are first-, second-, and third-generation survivors or important thinkers and spokespersons on the Holocaust. An essential literary reference work, this publication is an important addition to the genre and a solid value for public and academic libraries."--"The Top 20 Reference Titles of the Year," American Libraries, May 2004
The Beat Generation
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The Philosophical Biographer
The Philosophical Biographer shows how a shift in philosophical outlook in the seventeenth and eighteenth centuries-from an understanding of human knowledge rooted in deductive certainties to one resting on inductive probability-influenced the development of biographical narrative in general and in particular the way Johnson dealt with biographical evidence in his Lives of the Poets. Examining the psychological and philosophical doubt that lay at the heart of Johnson's character and intellect, Martin Maner reveals in the biographical studies of Savage, Swift, Milton, and Pope an ingrained pattern of dialectical argument and a skeptical attitude toward evidence--a method that involves the rea...
Insane Devotion
Gerald Stern has been a significant presence and an impassioned and idiosyncratic voice in twentieth and twenty-first-century American poetry. Insane Devotion is a retrospective of his career and features fourteen writers, critics, and poets examining the themes, stylistic traits, and craft of a poet who has shaped and inspired American verse for generations. The essays and interviews in Insane Devotion paint a broad picture of a man made whole by the influence of the written word. They touch on the contentious and nuanced stance of Judaism in the breadth of Stern’s work and explore Stern’s capacious memory and his use of personal history to illuminate our common humanity. What is revealed is a poet of complexity and heart, often tender, often outraged. As Philip Levine writes in his lyrical foreword to the volume, Stern is both sweet and spiky, “a born teacher who can teach me to see the universe in an acorn and hear the music of the lost in an empty Pepsi can.”
