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The Founding Flies
43 American fly-tying masters, including Mary Orvis Marbury, Thaddeus Norris, and Theodore Gordon.
All's Well that Ends Well
In this romantic reconciliation comedy, the sweetly mischievous Helena plots and plans her way to winning the aloof Bertram's hand in marriage. While the lovers are united by the close of the final act, Shakespeare pokes fun at the fantasy, wish fulfillment, and conventions of romantic comedy with the play's ambiguous resolution, which has intrigued scholars, readers, and theatergoers for centuries. This invaluable new study guide to one of Shakespeare's greatest plays contains a selection of the finest criticism through the centuries, plus an introduction by Harold Bloom, an accessible summary of the plot, a comprehensive list of characters, a biography of Shakespeare, and more.
Women, Food Exchange, and Governance in Early Modern England
This book is about the relationship of food and food practices to discourses and depictions of domestic and political governance in early modern women’s writing. It examines the texts of four elite women spanning approximately forty years: the Psalmes of Mary Sidney Herbert, Countess of Pembroke; the maternal nursing pamphlet of Elizabeth Clinton, Dowager Countess of Lincoln; the diary of Margaret, Lady Hoby; and Mary Sidney, Lady Wroth’s prose romance, Urania. It argues that we cannot gain a full picture of what food meant to the early modern English without looking at the works of women, who were the primary managers of household foodways. In examining food practices such as hospitality, gift exchange, and charity, this monograph demonstrates that women, no less than men, engaged with vital social, cultural and political processes.
Shakespeare and the Middle Ages
Every generation reinvents Shakespeare for its own needs, imagining through its particular choices and emphases the Shakespeare that it values. The man himself was deeply involved in his own kind of historical reimagining. This collection of essays examines the playwright's medieval sources and inspiration, and how they shaped his works. With a foreword by Michael Almereyda (director of the Hamlet starring Ethan Hawke) and dramaturge Dakin Matthews, these thirteen essays analyze the ways in which our modern understanding of medieval life has been influenced by our appreciation of Shakespeare's plays.
A Companion to Early Modern Women's Writing
This timely volume represents one of the first comprehensive, student-oriented guides to the under-published field of early modern women's writing. Brings together more than twenty leading international scholars to provide the definitive survey volume to the field of early modern women's writing Examines individual texts, including works by Mary Sidney, Margaret Cavendish and Aphra Behn Explores the historical context and generic diversity of early modern women's writing, as well as the theoretical issues that underpin its study Provides a clear sense of the full extent of women's contributions to early modern literary culture
Pseudonymous Shakespeare
In the course of unmasking 'R.L.', Penny McCarthy scrutinizes devices employed by writers in the Sidney coterie. Among McCarthy's stunning-but solidly supported-conclusions are: Shakespeare used the pseudonym 'R.L.' among other pseudonyms; one, 'William
Changing The Subject
Lady Mary Wroth (c. 1587-1653) wrote the first sonnet sequence in English by a woman, one of the first plays by a woman, and the first published work of fiction by an Englishwoman. Yet, despite her status as a member of the distinguished Sidney family, Wroth met with disgrace at court for her authorship of a prose romance, which was adjudged an inappropriate endeavor for a woman and was forcibly withdrawn from publication. Only recently has recognition of Wroth's historical and literary importance been signaled by the publication of the first modern edition of her romance, The Countess of Mountgomeries Urania. Naomi Miller offers an illuminating study of this significant early modern woman w...
The Imprint of Gender
What did it mean to be published at the end of the sixteenth century? While in polite circles gentlemen exchanged handwritten letters, published authors risked association with the low-born masses. Examining a wide range of published material including sonnets, pageants, prefaces, narrative poems, and title pages, Wendy Wall considers how the idea of authorship was shaped by the complex social controversies generated by publication during the English Renaissance.
Critical Dialogues
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