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Picasso: The Lost Sketchbook
The Picasso sketchbook featured here dates back to March 1923 and has never been seen before. It was part of a cache of works stolen over decades by Picasso's electrician and only discovered when he and his wife tried to sell some pieces in 2020. A facsimilie of the sketchbook itself, bound in real linen cloth that has been specifically aged to match the original, is packaged in a clamshell box with an illustrated book that tells the story of the theft and the discovery and examines the sketches in detail relating them to several examples of Picasso's finished work.
Futures of Surrealism
Although Surrealism is usually associated with the 1920s and 1930s, it remained a vital force in Paris throughout the postwar period. This important book offers the first detailed account in English of the trajectory of the French Surrealists in the 1950s and 1960s, giving particular emphasis to the significance of myth for the group in its reception of science fiction and its engagement with fantastic art. Offering new readings of the art and writings of the later generation of Surrealists, Gavin Parkinson demonstrates how they were connected to the larger cultural and political debates of the time. Whereas earlier Surrealist art and writing drew on psychoanalytic practices, younger Surrealists engaged with contemporary issues, ideas, and themes of the period of the Cold War and Algerian War (1954-62), such as parapsychology, space travel, fantastic art, increasing consumerism in Europe, emerging avant-gardes such as Nouveau Réalisme, and the rise of the whole genre of conspiracy theory, from Nazi occultism to flying saucers. Futures of Surrealism offers a unique perspective on this brave new world.
Surrealism, Art, and Modern Science
During the same period that Surrealism originated and flourished between the wars, great advances were being made in the field of physics. This book offers the first full history, analysis and interpretation of Surrealism's engagement with the theory of relativity and quantum mechanics, and its reception of the philosophical consequences of those two major turning points in our understanding of the physical world. After surveying the revolution in physics in the early twentieth century and the discoveries of Planck, Bohr, Einstein, Schrodinger, and others, Gavin Parkinson explores the diverse uses of physics by individuals in and around the Surrealist group in Paris. In so doing, he offers exciting new readings of the art and writings of such key figures of the Surrealist milieu as André Breton, Georges Bataille, Salvador Dalí, Roger Caillois, Max Ernst, and Tristan Tzara.
Enchanted Ground
Enchanted Ground is about the challenge to modernist criticism by Surrealist writers-mainly André Breton but also Louis Aragon, Pierre Mabille, René Magritte, Charles Estienne, René Huyghe and others-who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism-Paul Cézanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh-became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.
Robert Rauschenberg and Surrealism
The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69. In the face of Rauschenberg's avowals of his own 'literalism' and insistence on his art as 'facts,' this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg's art against the expansion of the cultural influenc...
Surrealism, Science Fiction and Comics
Although the self-definition of Surrealism and the initial defining of science fiction as a genre both took place in the 1920s and the links between the two are manifest, no full study has appeared till now on Surrealism and SF. Across ten original essays, Surrealism, Science Fiction and Comics looks at how the Surrealist movement in France and the USA used, informed, contributed to, and criticised SF from that moment, whilst including discussion of the related genre of comics. Among its aims are a reassessment of Jules Verne in the light of Surrealism and an analysis of the debate in the 1950s on the 'new' Anglo-American literature arriving in France. This received, in fact, a mixed recepti...
The Duchamp Book
Marcel Duchamp (1887 - 1968) was, without doubt, one of the most controversial artists of the twentieth century. Associated with cubism, Dada, and Surrealism, his invention of the "readymade" led him to produce some of the most iconic works of his era. While he is often cited as the most influential artist of his generation and is seen by many to be the progenitor of much of the conceptual and postmodern art of today, the writing published to date on Duchamp is often obscure and mired in theory. Extensively illustrated and featuring Duchamp's own writings, The Duchamp Book provides a much needed, accessible introduction to the artist.
The Art of Evolution
A timely and stimulating collection of essays about the impact of Darwin's ideas on visual culture
A Time to Die
MAY 1942 Burma has already fallen, and it seems certain that India must follow. The Allied armies, frantically attempting to regroup, must find a way to halt the westward advance of the Japanese, to gain a few precious hours’ respite. The target is Major General Tohutaro Sakurai, Commander of the Japanese Fourteenth Army, mastermind of the Japanese victories from Singapore to the Arakan. For Sakurai alone, if only for a short time, holds the key to the next advance. The method can only be the assassin’s bullet or blade. But secrets are almost impossible to keep in a part of the world where fifth columnists and double agents are commonplace. For Captain Peter Lockhart the mission is doomed to failure almost before it has begun. Sakurai and Lockhart are drawn inexorably together on a tightening band of pride and circumstance, and the conclusion is one that neither man can foresee.
