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The Picasso sketchbook featured here dates back to March 1923 and has never been seen before. It was part of a cache of works stolen over decades by Picasso's electrician and only discovered when he and his wife tried to sell some pieces in 2020. A facsimilie of the sketchbook itself, bound in real linen cloth that has been specifically aged to match the original, is packaged in a clamshell box with an illustrated book that tells the story of the theft and the discovery and examines the sketches in detail relating them to several examples of Picasso's finished work.
The first book to look at the relationship either between Surrealism and Science Fiction or between Surrealism and comics.
During the same period that Surrealism originated and flourished between the wars, great advances were being made in the field of physics. This book offers the first full history, analysis and interpretation of Surrealism's engagement with the theory of relativity and quantum mechanics, and its reception of the philosophical consequences of those two major turning points in our understanding of the physical world. After surveying the revolution in physics in the early twentieth century and the discoveries of Planck, Bohr, Einstein, Schrodinger, and others, Gavin Parkinson explores the diverse uses of physics by individuals in and around the Surrealist group in Paris. In so doing, he offers exciting new readings of the art and writings of such key figures of the Surrealist milieu as André Breton, Georges Bataille, Salvador Dalí, Roger Caillois, Max Ernst, and Tristan Tzara.
Although Surrealism is usually associated with the 1920s and 1930s, it remained a vital force in Paris throughout the postwar period. This important book offers the first detailed account in English of the trajectory of the French Surrealists in the 1950s and 1960s, giving particular emphasis to the significance of myth for the group in its reception of science fiction and its engagement with fantastic art. Offering new readings of the art and writings of the later generation of Surrealists, Gavin Parkinson demonstrates how they were connected to the larger cultural and political debates of the time. Whereas earlier Surrealist art and writing drew on psychoanalytic practices, younger Surrealists engaged with contemporary issues, ideas, and themes of the period of the Cold War and Algerian War (1954-62), such as parapsychology, space travel, fantastic art, increasing consumerism in Europe, emerging avant-gardes such as Nouveau Réalisme, and the rise of the whole genre of conspiracy theory, from Nazi occultism to flying saucers. Futures of Surrealism offers a unique perspective on this brave new world.
Enchanted Ground is about the challenge to modernist criticism by Surrealist writers-mainly André Breton but also Louis Aragon, Pierre Mabille, René Magritte, Charles Estienne, René Huyghe and others-who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism-Paul Cézanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh-became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.
A timely and stimulating collection of essays about the impact of Darwin's ideas on visual culture
MAY 1942 Burma has already fallen, and it seems certain that India must follow. The Allied armies, frantically attempting to regroup, must find a way to halt the westward advance of the Japanese, to gain a few precious hours’ respite. The target is Major General Tohutaro Sakurai, Commander of the Japanese Fourteenth Army, mastermind of the Japanese victories from Singapore to the Arakan. For Sakurai alone, if only for a short time, holds the key to the next advance. The method can only be the assassin’s bullet or blade. But secrets are almost impossible to keep in a part of the world where fifth columnists and double agents are commonplace. For Captain Peter Lockhart the mission is doomed to failure almost before it has begun. Sakurai and Lockhart are drawn inexorably together on a tightening band of pride and circumstance, and the conclusion is one that neither man can foresee.
"Examines the wide-ranging influence of games and play on the development of modern art in the twentieth century"--Provided by publisher.
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Black holes, dark matter, gravity, time, motion--these phenomena fascinate physicists and artists alike. Both strive to discover how they shape our world. The connection between art and science is gaining increasing significance in contemporary art.Now, the influence of physics on today's art, design, and architecture is being more closely examined. Curated by Ariane Koek, the founder of the arts program Arts at CERN, the exhibition Entangle - Physics and the Artistic Imagination and its companion catalog present the works of thirteen contemporary artists who are inspired by physics and its investigation of natural phenomena. Besides their works, this ground-breaking publication also contains interviews with the artists and physicists who share their different ways of seeing.Featuring interviews with and works of art by Sarah Sze, Julius von Bismarck, Julian Charrière, Sou Fujumoto, Iris van Herpen, Ryoji Ikeda, William Kentridge, Rafael Lozano-Hemmer, Goshka Macuga, Davide Quayola, Solveig Settemsda, Keith Tyson, Jorinde Voigt, and Carey Young. Exhibition:16.11.2018--14.04.2019, BIldmuseet Umeå