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'Full of seriously good leadership wisdom - a must read for those who aspire to greatness' Richard Koch, bestselling author of The 80/20 Principle 'One of the most stimulating books to read on leadership' Philip Kotler, Professor of International Marketing at the Kellogg School of Management 'Loaded with practical, thought-provoking ideas on leadership that can profoundly affect your life' Brian Tracy, bestselling author of How the Best Leaders Lead and Eat That Frog! Have you ever wondered what characteristics are shared by successful business leaders? Have you ever asked yourself what it is that they do differently which makes them and their organisations stand out from the crowd? And what...
One of the most influential anthropological works of the last two decades, Alfred Gell’s Art and Agency is a provocative and ambitious work that both challenged and reshaped anthropological understandings of art, agency, creativity and the social. It has become a touchstone in contemporary artifact-based scholarship. This volume brings together leading anthropologists, archaeologists, art historians and other scholars into an interdisciplinary dialogue with Art and Agency, generating a timely re-engagement with the themes, issues and arguments at the heart of Gell’s work, which remains salient, and controversial, in the social sciences and humanities. Extending his theory into new territory – from music to literary technology and ontology to technological change – the contributors do not simply take stock, but also provoke, critically reassessing this important work while using it to challenge conceptual and disciplinary boundaries.
Completed just before Alfred Gell's death in January 1997, this book embodies the characteristics for which he was admired. The book aims to challenge the basis of the way art has been viewed in the human sciences. It presents a fundamental theory for an anthropology of art.
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'This is my earliest memory. I am three years old and I sit in the bottom of my great-uncle's pot boat and take off the bands from the lobsters' claws. The deepest of blues, they creak over the bilges with robotic limbs towards my father's bare feet as he rows. Over the scent of the herring bait I can smell the fresh, sweet smell of wrack on the shore. This book has come out of over twenty years of studying the sea and trying to protect it, and a lifetime of loving our other world beneath waves.' In Spring Tides, marine biologist Fiona Gell tells the story of a pioneering project to create the very first marine nature reserve on the Isle of Man. Growing up in a traditional fishing family on ...
This book explores the relationship between Queen Caroline, one of the most enigmatic characters in Regency England, and Sir William Gell, the leading classical scholar of his day. Despised and rejected by her husband, Caroline created a sphere and court of her own through patronage of scholarship. The primary beneficiary was Gell, a pioneering scholar of the classical world who opened new dimensions in the study of ancient Troy, mainland Greece, and Ithaca. Despite his achievements, Gell had scarce financial resources. Support from Caroline enabled him to establish himself in Italy and conduct his seminal work about ancient Rome and, especially, Pompeii, until her sensational trial before the House of Lords and premature death. Concluding with the first scholarly transcription of the extraordinary series of letters that Caroline wrote to Gell, this volume illuminates how Caroline sought power through patronage, and how Gell shaped classical scholarship in nineteenth-century Britain.
Murray Gell-Mann is one of the leading physicists in the world. He was awarded the Nobel Prize in Physics in 1969 for his work on the SU(3) symmetry. His list of publications, albeit relatively short, is highly impressive — he has written mainly papers, which have become landmarks in physics. In 1953, Gell-Mann introduced the strangeness quantum number. In 1954, he proposed, together with F Low, the idea of the renormalization group. In 1958, Gell-Mann wrote, together with R Feynman, an important paper on the V-A theory of weak interactions. In 1961, Gell-Mann published his ideas on the SU(3) symmetry. In 1964, he proposed the quark model for hadrons. In 1971, Gell-Mann, together with H Fritzsch, proposed the color quantum number; and in 1972, the theory of QCD. These major publications of Gell-Mann are collected in this volume, thus providing physicists with easy access to the important publications of Gell-Mann.
Alfred Gell puts forward a new anthropological theory of visual art, seen as a form of instrumental action: the making of things as a means of influencing the thoughts and actions of others. He argues that existing anthropological and aesthetic theories take an overwhelmingly passive point of view, and questions the criteria that accord art status only to a certain class of objects and not to others. The anthropology of art is here reformulated as the anthropology of a category of action: Gell shows how art objects embody complex intentionalities and mediate social agency. He explores the psychology of patterns and perceptions, art and personhood, the control of knowledge, and the interpretation of meaning, drawing upon a diversity of artistic traditions--European, Indian, Polynesian, Melanesian, and Australian. Art and Agency was completed just before Alfred Gell's death at the age of 51 in January 1997. It embodies the intellectual bravura, lively wit, vigour, and erudition for which he was admired, and will stand as an enduring testament to one of the most gifted anthropologists of his generation.