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Flourish by Design brings together a range of established and emerging voices in design research for a collection that provides original provocations on topics of global significance. It is an insightful guide to original theory and practice concerning how we can design for a better tomorrow. Featuring contributors from a diverse array of backgrounds and professions, this edited book explores the difference that design and design research can make for people, organisations, and the planet to prosper now and in the future. It offers a range of ideas and techniques through practical examples and ongoing projects showing how applied design research can respond to global challenges. Covering top...
Black theology has long been about oppression and liberation. But is there a different story to tell? Can the black story be one about a quest for flourishing through agency and self-determination and not only an existence of nihilistic struggle? Drawing on a fresh reading of Jeremiah’s letter to Jewish exiles, and his own Pentecostal tradition, Joe Aldred offers a fresh understanding of the Black British experience which draws on a realised eschatology rooted in identity, empowerment and an agenda. In a contested diasporan context in the shadow of empire there exists opportunity to fully flourish without apology – or as Jeremiah puts it to those in exile, to ‘settle, build and grow'.
*** Attention SPOILER : à ne pas lire si vous n'avez pas encore lu les épisodes précédents ! *** Découvrez le final explosif du feuilleton Toi. Moi. Maintenant ou jamais L’odeur de la gomme brûlée. Celle de l’essence. Et celle du sang. Charlotte ne peut pas croire que ce corps taché de rouge, qui git inerte sur l’asphalte brûlant, est celui de Jérémiah. Lui, figé entre la vie et la mort ; elle, paralysée par la peur. Un cauchemar qui devient réalité. Et, tandis que les médecins s’acharnent à ramener Jérémiah, tandis que les larmes inondent les joues de Charlotte, le passé se réveille. Autre époque, autres circonstances, mais toujours elle, lui, les raclements de...
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