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The papers arising from the ICMI study seminar on the popularization of mathematics held at the University of Leeds, UK, 17-22 September 1989.
Is it possible to write an artistically respectable and theoretically convincing religious novel in a non-religious age? Up to now, there has been no substantial application of theological criticism to the works of Hugh MacLennan and Morley Callaghan, the two most important Canadian novelists before 1960. Yet both were religious writers during the period when Canada entered the modern, non-religious era, and both greatly influenced the development of our literature. MacLennan’s journey from Calvinism to Christian existentialism is documented in his essays and seven novels, most fully in The Watch that Ends the Night. Callaghan’s fourteen novels are marked by tensions in his theology of Catholic humanism, with his later novels defining his theological themes in increasingly secular terms. This tension between narrative and metanarrative has produced both the artistic strengths and the moral ambiguities that characterize his work. Faith and Fiction: A Theological Critique of the Narrative Strategies of Hugh MacLennan and Morley Callaghan is a significant contribution to the relatively new field studying the relation between religion and literature in Canada.
The Maritime region is thus torn between its memory of an earlier, more prosperous and traditional social order and its present experience as a less fortunate modern industrial society. These tensions are embedded in the Maritime character and have affected not only the lives of its people but the imaginations and texts of its writers."--BOOK JACKET.
Why does the Great War seem part of modern memory when its rituals of mourning and remembrance were traditional, romantic, even classical? In this highly original history of memory, David Williams shows how classic Great War literature, including work by Remarque, Owen, Sassoon, and Harrison, was symptomatic of a cultural crisis brought on by the advent of cinema. He argues that images from Geoffrey Malins' hugely popular war film The Battle of the Somme (1916) collapsed social, temporal, and spatial boundaries, giving film a new cultural legitimacy, while the appearance of writings based on cinematic forms of remembering marked a crucial transition from a verbal to a visual culture. By cont...
In Race: A Theological Account, J. Kameron Carter meditates on the multiple legacies implicated in the production of a racialized world and that still mark how we function in it and think about ourselves. These are the legacies of colonialism and empire, political theories of the state, anthropological theories of the human, and philosophy itself, from the eighteenth-century Enlightenment to the present. Carter's claim is that Christian theology, and the signal transformation it (along with Christianity) underwent, is at the heart of these legacies. In that transformation, Christian anti-Judaism biologized itself so as to racialize itself. As a result, and with the legitimation of Christian ...
Half a century after the Second Vatican Council called for the active participation of the laity in the liturgy, a comprehensive theology of what liturgical participation actually means remains elusive. While most sacramental studies have highlighted the role and action of Christ, the conciliar reform and the theology that emanated from it call for a deeper trinitarian understanding of the liturgy and sacraments. In this fascinating new work, Gabriel Pivarnik identifies the major theological developments in the concept of active participation of the last century, most notably in Mediator Dei and the Vatican II documents. He also considers the reception of those developments. Drawing especially on the work of Cipriano Vagaggini and Edward Kilmartin, Pivarnik offers a lucid demonstration of how liturgical participation can be viewed in metaphysical, soteriological, and ecclesiological terms through the lens of a trinitarian narrative. R. Gabriel Pivarnik, OP, teaches theology at Providence College, where he also serves as director of the Center for Catholic and Dominican Studies.
In the course of a teaching and writing career cut too short, Mark Searle (1941-1992) provided a worthy contribution to the study of liturgy. The breadth of his liturgical interests and his desire to integrate a wide range of academic areas with the study of liturgy mark this scholar as a gifted thinker and author, arguably a pioneer. In Rehearsing God's Just Kingdom, Stephen S. Wilbricht explores Searle's basic conviction that liturgy represents, rehearses, and forms in its participants the essential commitments of the Christian community. Searle called for the church's liturgy to be embraced as a rehearsal that is performed over and over, again and again, until it is practiced perfectly in the kingdom of heaven. In an age when so much depends on instant gratification and in which institutional commitment is often held in contempt, Searle's thinking provides an avenue for liturgical renewal that hinges upon a respect for and trust in ritual forms and behavior.
Doctor Crockett traces the evolution of Eucharistic traditions - traditions which reflect the cultural diversity characteristic of the regions in which they were produced - and compares them to our Eucharistic celebrations today, exploring as well the relationship between Eucharist and justice.
Hymns and songs have long been the most frequent and characteristic expression of communal beliefs, particularly among faith traditions that lack authoritarian or rigidly codified doctrinal statements. Even among Christian traditions that do include a strong focus on creeds, catechism and liturgy, it is hymnody, more than anything else, that sustains their lay theology. The hymns of Moshe Walsalam Sastriyar (1847–1916) and Sadhu Kochukunju Upadeshi (1883–1945)—both from the Kingdom of Travancore in southwest India—transcend denominational boundaries and have been embraced far beyond their historical communities of origin as a means of articulating faith and spirituality. Against a mi...
From the founding of the first colonies until the present, the influence of Christianity, as the dominant faith in American society, has extended far beyond church pews into the wider culture. Yet, at the same time, Christians in the United States have disagreed sharply about the meaning of their shared tradition, and, divided by denominational affiliation, race, and ethnicity, they have taken stances on every side of contested public issues from slavery to women's rights. This volume of twenty-two original essays, contributed by a group of prominent thinkers in American religious studies, provides a sophisticated understanding of both the diversity and the alliances among Christianities in ...