You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book proposes new understandings of modern life in Britain by bringing constructs of female spirituality centre stage and examining three ‘forgotten’ artists identified with the Pre-Raphaelites and Victorianism. Thomas Cooper Gotch, Robert Anning Bell and Frederick Cayley Robinson are resituated squarely within the tumultuous social and cultural changes of the period. Becoming visible again, in more inclusive histories, allows such artists not only to re-inhabit but to reshape narratives of modernism, reanimating the scholarly discourse and creating a dynamic cultural history of modern Britain expressed through their striking visions of womanhood. This book will be of interest to scholars in art history, gender studies and British studies.
The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names Paul Nash, Eric Ravilious and Stanley Spencer have reached new audiences. High-profile exhibitions have attracted recordbreaking visitor numbers and challenged received opinion. In The Real and the Romantic, Frances Spalding, one of Britains leading art historians and critics, takes a fresh and timely look at this rich period in English art. The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting ...
These volumes bring to a close the only comprehensive edition of the surviving correspondence of William Morris (1834-1896), a protean figure who exerted a major influence as poet, craftsman, master printer, and designer. Volumes III and IV, taken together, give in detail the comments and observations that articulate his problematic political and artistic stands and equally problematic position within the aesthetic movement as it developed in the 1890s. Most eloquently voiced also are the complexities of his troubled marriage and his devotion to his epileptic daughter, Jenny, and his other daughter, May. But dominating all these themes, organizing and structuring them, are the Kelmscott Pres...
Fiction of the New Statesman is the first study of the short stories published in the renowned British journal theNew Statesman. This book argues that New Statesman fiction advances a strong realist preoccupation with ordinary, everyday life, and shows how British domestic concerns have a strong hold on the working-class and lower-middle-class imaginative output of this period.
Global Christianity has been experiencing an unprecedented historical transition from the West to the non-Western world. The leadership of global Christianity has taken on a new face since the twentieth century. Christendom in Europe and America has experienced a great decline while there has been a rise in Majority World Christianity. Churches in the Global South have given their voices to global Christianity through their leadership, world mission movements, and theology. The phenomenal church growth has risen from the Pentecostal and Charismatic movement. Pentecostalism has become the dominant force in global Christianity today. The Rise of the Global South examines the significance this shift has had on global Christianity by going through the history of Christianity in the West and the causes of the shift.
These volumes bring to a close the only comprehensive edition of the surviving correspondence of William Morris (1834-1896), a protean figure who exerted a major influence as poet, craftsman, master printer, and designer. Volumes III and IV, taken together, give in detail the comments and observations that articulate his problematic political and artistic stands and equally problematic position within the aesthetic movement as it developed in the 1890s. Most eloquently voiced also are the complexities of his troubled marriage and his devotion to his epileptic daughter, Jenny, and his other daughter, May. But dominating all these themes, organizing and structuring them, are the Kelmscott Pres...
Under a canopy of moss-covered live oaks rests Palmetto. The city occupies a natural peninsula bounded by the Manatee River and Terra Ceia Bay. The first settlers claimed land under the Armed Occupation Act of 1842, and despite the ravages of Seminole raids and epidemics, the heartiest of the pioneers established Palmetto's reputation as a thriving farming and fishing community. In 1868, Samuel Sparks Lamb named the city "Palmetto," inspired by the abundant foliage of palmetto bushes that reminded him of his birthplace in South Carolina. He envisioned a city with a grand thoroughfare and a sturdy wharf jutting into the mile-wide Manatee River, which Lamb considered the gateway for Palmetto's agricultural commerce. Palmetto became a city in 1897, but by the early 1900s, the railroad shifted the center of activity from the waterfront to the train depot, located on Tenth Street. Palmetto's appearance and identity have changed over the years, but its residents continue to regard the Manatee River and Terra Ceia Bay as the community's grandest assets.
Surfing came to the central Oregon coast in the early 1960s. Mostly young boys from Newport and the Agate Beach area took to the waves, without wetsuits or leashes, and taught themselves how to surf in the forbidding cold waters. Eventually forming the Agate Beach Surf Club, they discovered other surfing communities along the Oregon coast. With no modern-day technology to help them, they traveled the rugged Oregon coast in search of good and accessible surf spots. Fifty years later, the surfing culture has grown and evolved, including both genders, kite, wind, stand-up-paddle, and big wave surfing. What hasn't changed is the unique and challenging environment of the Oregon coast. Geography, the weather, and the cold water still remain the biggest challenges. In the face of all this, the surfing community grows and continues to prosper.