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The Inglorious Arts of Peace
Heaman examines the ways in which British North America was advertised at home and abroad in the pursuit of productivity, markets, capital, and immigrants, and evaluates the exhibitions' impact on private industry, the government, and Canadian identity. She also considers the participation of women and native peoples at local and international exhibits, showing how they transcended the limited spheres of representation imposed upon them.
Parliamentary Papers
None
Supreme Court Reporter, Cases Argued and Determined in the United States Supreme Court
Reprint of the original, first published in 1889.
