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Shakespeare's Patron: William Herbert, Third Earl of Pembroke, 1580 - 1630
William Herbert, Third Earl of Pembroke, 1580-1630, was the 'uomo universale' of the Early Stuart Age. A prominent courtier in the reigns of Elizabeth I, James I and Charles I, he was the most important patron of the arts of the early seventeenth century, and almost certainly the person to whom Shakespeare dedicated his Sonnets. He was, in fact, the patron of almost every great literary and artistic figure of the period; Ben Jonson, Inigo Jones, John Donne, and George Herbert. Pembroke was an astute and powerful politician, the greatest electoral manager of the time, the wealthiest nobleman in the country, a powerful industrial entrepreneur, Chancellor of Oxford University and an indefatigable promoter of colonial enterprises. This major new work, the product of many years of research, is the first full length study of Pembroke. It has been exhaustively researched with all the extant manuscript and printed materials studied. Pembroke's poetry and patronage are fully discussed, his political life analysed, and his business activities both at home and abroad fully investigated.
The Collected Works of Mary Sidney Herbert, Countess of Pembroke: Poems, translations, and correspondence
Replete with biographical introduction, discussions of sources and compositional methodology, this two volume work is the first to include all Mary Sidney Herbert's extant works.
The Country Parson ; The Temple
George Herbert (1593-1633) was an Anglican priest, poet and essayist--truly one of the most profound spiritual masters in the English tradition. His spirituality was a synthesis of Evangelical and Catholic piety.
George Herbert's Pastoral
As poet and as country parson, George Herbert engaged the pastoral in all of its varied senses. In October of 2007, many of the world's leading Herbert scholars met at Sarum College in Salisbury, England to locate Herbert's pastoral life and writings more particularly in early Stuart Wiltshire. They explored the relations between the pastoral locale of Herbert's last years (1630-1633) in nearby Bemerton and the themes, images, and tenor of his writing. How did the specific country place, time, and people shape the life and work of this especially lyrical country priest? The fourteen essays in this collection address Herbert's pastoral poetry and practice, cast new light on his actual relations with specific local personalities and places, make fresh connections to the inward biblical and liturgical spaces of his work, consider his outward links to garden and pasture, and discover fictional and theological reverberations beyond Herbert's local, pastoral world. Christopher Hodgkins is Professor of English at the University of North Carolina-Greensboro.
