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The Collected Works of Mary Sidney Herbert, Countess of Pembroke: Poems, translations, and correspondence
Replete with biographical introduction, discussions of sources and compositional methodology, this two volume work is the first to include all Mary Sidney Herbert's extant works.
The Collected Works of Mary Sidney Herbert, Countess of Pembroke
Mary Sidney Herbert, Countess of Pembroke, is the most important Elizabethan woman writer and patron outside the royal family. By astute use of the genres permitted to women, she supported the Protestant cause, introduced continental literary genres, expanded opportunities for later womenwriters, and influenced seventeenth-century lyric and drama by such writers as John Donne, George Herbert, Mary Wroth, and William Shakespeare. This scholarly edition in two volumes is the first to include all her extant works: Volume I prints her three original poems, the disputed `Dolefull Lay ofClorinda', her translations from Petrarch, Mornay, and Garnier, and all her known letters. Volume II contains her metrical paraphrases of Psalms 44-150. The edition also provides a biographical introduction, discussion of her sources and methods of composition, textual annotation, and a detailedcommentary.
The Collected Works
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Mary Sidney Herbert, Countess of Pembroke
The authors take a fresh approach to the telling of Mary Sidney's fascinating story. She was a remarkable woman who spent a significant part of her life at Wilton House. Married at the age of fifteen to one of England's richest men, she was close to Queen Elizabeth I. As she lived at a time of political and religious change, her story is told against that background. The untimely death of her beloved brother, the courtier and poet, Sir Philip Sidney, altered the course of her life. Mary Sidney became a trend-setter, forging a pathway for women writers: a talented poet, a skilful translator and editor and an influential patron of the arts. She wrote a version of Antony and Cleopatra. Her metrical psalms inspired poets, including a distant relative, George Herbert. Her legacy is traced to the wider world and the poetry of New England. Closer to home her relationship to key figures of the day is explored: James I, William Shakespeare and Edmund Spenser, to name a few. Mary Sidney Herbert's contribution to literature has never been sufficiently acknowledged but this book redresses that neglect and offers an engaging insight into an influential woman's life.
Mary Sidney Herbert
Mary Sidney (1562-1620), Countess of Pembroke, was born into one of England’s most prominent literary and political families. She was fluent in at least three languages and was an accomplished translator and poet. Her two translations from the French, A Discourse of Life and Death, by Philippe de Mornay, and Antonius, a Tragœdie, by Robert Garnier were published together in 1592 by William Ponsonby. That combined volume is reprinted here.
Sweet Swan of Avon
It is long overdue that someone took a closer look at the brilliant Mary Sidney. I have a suspicion that Mary Sidney’s life, and especially her dedication to the English language after her brother’s death, may throw important light on the mysterious authorship of the Shakespeare plays and poems. —Mark Rylance Actor; Artistic Director of Shakespeare’s Globe Theatre, 1996–2006; Chairman of the Shakespearean Authorship Trust For more than two hundred years, a growing number of researchers have questioned whether the man named William Shakespeare actually wrote the works attributed to him. There is no paper trail for William Shakespeare—no record that he was ever paid for writing, no...
Mary Sidney, Lady Wroth
In this first full-length biography of Lady Mary Wroth, Margaret Hannay's reliance on primary sources results in some corrections, as well as additions, to our knowledge of the lives of Wroth and of her children. The narrative is enhanced with a chronology; family trees of the Sidneys and the Wroths; a map of Essex, showing places where Wroth lived; a chart of family alliances; portraits; and illustrations from her manuscripts.
Philip's Phoenix
In contrast to previous studies that have portrayed Mary Sidney as a demure, retiring woman, this biography shows that she was actually an outspoken and dynamic figure. Basing her work on primary sources including account books, legal documents, diaries, and family letters, Hannay shows that Sidney was a vibrant, eloquent, self-assertive woman who was deeply involved in Protestant politics. Although she did confine her writings to appropriately feminine genres, she called herself "Sister of Philip Sidney" to establish a literary and political identity. As a Phoenix rising from her brother's ashes, she transcended gender restrictions by publishing her brother's writings, by writing and translating works which he would have approved, by assuming his role as literary patron, and by supporting the cause for which he died. Hannay also reveals--via court cases--that in her final years the countess turned from literary to administrative responsibilities, contending with jewel thieves, pirates, and murderers.
