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Miranda's Diary
The Royal Society has announced that Prince will choose his spouse in a Matrimonial Ceremony. Several girls are trying, including Miranda. She enters the arena, but eventually inflicts damage on the prince. Miranda tries not to come in front of him and do her best to escape out when she was searched for. Later, she discovers that someone is devising a plot to kill the prince. Confusion descends upon her. Now, she is caught, what to do? Should she inform prince? If yes, then how? What if prince assaults Miranda? Ready to have a glance in Miranda's life and live a moment with her weird family, freaky friends and creepy school. She fills laughter in every aspect of her life. Discover unreal surprises that are going to blast you off with laughter. Embark on a journey with her.
George, Nicholas and Wilhelm
In the years before the First World War, the great European powers were ruled by three first cousins: King George V of Britain, Kaiser Wilhelm II of Germany, and Tsar Nicholas II of Russia. Together, they presided over the last years of dynastic Europe and the outbreak of the most destructive war the world had ever seen, a war that set twentieth-century Europe on course to be the most violent continent in the history of the world. Through brilliant and often darkly comic portraits of these men and their lives, their foibles and obsessions, Miranda Carter delivers the tragicomic story of Europe’s early twentieth-century aristocracy, a solipsistic world preposterously out of kilter with its times.
Smoke Screen
"New York Times"-bestselling author Brown returns with a sizzling tale of corruption and betrayal, revenge and reversal--where friends become foes, and criminals become heroes in the ultimate abuse of power. Available in a tall Premium Edition.
The Busie Body
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The Acting Drama
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The Busybody
The Busybody is the most popular comedy by the eighteenth-century playwright Susanna Centlivre. The play centres on two couples trying to form a relationship against the wills of their guardians, and in a battle of wits, playing with many conventions from theatre traditions across the continent, a conclusion is eventually reached. Like her predecessor Aphra Behn, Centlivre was immensely successful in her day, drawing huge crowds to extended runs of her numerous plays, but the stabbing male pens of the nineteenth and twentieth centuries decried her work as being louche and dangerous, and her name slowly sunk into obscurity. This edition, published with William Hazlitt's prefatory note and extra material on Centlivre's life and writing, seeks to highlight the dexterity with which she took on the stage.
