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By the mid-1930s, cinema patrons insisted on value-for-money. Double feature programs became mandatory at all neighborhood cinemas. Usually the "A" feature film figured as the main attraction, and the supporting movie, the "B." Sometimes that role was reversed. On many occasions picturegoers felt the unheralded "B" movie had actually proved more entertaining than the widely advertised "A" attraction. More than two hundred of these wonderful "B" film classics from Hollywood's golden age are described, reviewed and detailed in this book. It's a must-have for all film addicts, movie fans and nostalgia connoisseurs.
Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in ni...
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