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In late 1944, 78 U.S. Navy sailors and officers climbed aboard a ship just 150 feet long and 23 feet wide, and headed toward the sound of gunfire. One of a class of gunboats known as "mighty midgets," LCS 52 carried an arsenal equal to ships twice its size. Yet its shallow draft enabled it to maneuver to within a few hundred feet of any beach. Packed inside the tiny craft, the diverse crew were farmers, students, cooks and teachers. They ranged from age 17 to middle-aged--a few had seen combat in the Atlantic and the Pacific. This book tells the story of the ship's extensive service in World War II's Pacific Theater. Most of the crew survived the war, as did LCS 52 itself, serving in the U.S. Navy and Japanese Maritime Self-Defense Force until 1958, when it was decommissioned and used for artillery practice. A roll call of crew members is included, with biographical information when available.
This is the history of the U.S. navy's vessel designated the landing craft. tank (LCT) operations with a detailed look at a specific ship, the LCT 614, which landed at Omaha Beach under heavy fire. The LCTs were more than mere transports. The little craft had permanently assigned crews and participated in nearly all forms of naval warfare.
In recent decades, scholars have vigorously revised Jacob Burckhardt's notion that the free, untrammeled, and essentially modern Western individual emerged in Renaissance Italy. Douglas Biow does not deny the strong cultural and historical constraints that placed limits on identity formation in the early modern period. Still, as he contends in this witty, reflective, and generously illustrated book, the category of the individual was important and highly complex for a variety of men in this particular time and place, for both those who belonged to the elite and those who aspired to be part of it. Biow explores the individual in light of early modern Italy's new patronage systems, educational...
There is an undeniable and persisting fascination with Niccolò Machiavelli and his infamous political theories in contemporary pop culture. Many comic books, video games, TV series, movies, and graphic novels make explicit or implicit references to the most infamous political thinker of all-time. By offering the reader an idea of how Machiavelli is present and represented in contemporary media (in particular, in Assassin’s Creed, House of Cards, Homeland, pop art, American and Italian politics, Italian cinema, and Trump’s rise to power), Machiavelli in Contemporary Media gives new life to Machiavellian thought and shows how his theories—but also the several different interpretations o...