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The Making of English National Identity
Why is English national identity so enigmatic and so elusive? Why, unlike the Scots, Welsh, Irish and most of continental Europe, do the English find it so difficult to say who they are? The Making of English National Identity, first published in 2003, is a fascinating exploration of Englishness and what it means to be English. Drawing on historical, sociological and literary theory, Krishan Kumar examines the rise of English nationalism and issues of race and ethnicity from earliest times to the present day. He argues that the long history of the English as an imperial people has, as with other imperial people like the Russians and the Austrians, developed a sense of missionary nationalism which in the interests of unity and empire has necessitated the repression of ordinary expressions of nationalism. Professor Kumar's lively and provocative approach challenges readers to reconsider their pre-conceptions about national identity and who the English really are.
The Rise of English Nationalism
This text presents a re-interpretation of English history and culture in the era of King George III. The author argues that England was probably the first modern country to experience nationalism, revealing its effect throughout English cultural, social, literary, and political life.
Christopher Smart and Satire
Christopher Smart and Satire explores the lively and idiosyncratic world of satire in the eighteenth-century periodical, focusing on the way that writers adopted personae to engage with debates taking place during the British Enlightenment. Taking Christopher Smart's audacious and hitherto underexplored Midwife, or Old Woman's Magazine (1750-1753) as her primary source, Min Wild provides a rich examination of the prizewinning Cambridge poet's adoption of the bizarre, sardonic 'Mary Midnight' as his alter-ego. Her analysis provides insights into the difficult position in which eighteenth-century writers were placed, as ideas regarding the nature and functions of authorship were gradually bein...
Eighteenth-Century Women Poets
This book shows how eighteenth-century women's literature redefined nation and culture in class and gendered terms.
Britain, France and the Gothic, 1764–1820
In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven Years' War. In the last decade of the eighteenth century, as Britain went to war again with France, this time in the wake of revolution, the continuing connections between Gothic literature and France through the realms of translation, adaptation and unacknowledged borrowing led to strong suspicions of Gothic literature taking on a subversive role in diminishing British patriotism. Angela Wright explores the development of Gothic literature in Britain in the context of the fraught relationship between Britain and France, offering fresh perspectives on the works of Walpole, Radcliffe, 'Monk' Lewis and their contemporaries.
Jan in 35 Pieces
With charm, humour and a generous smattering of musical history, cellist Ian Hampton takes readers into the cello section of the London Symphony Orchestra, performing The Rite of Spring under the baton of Pierre Monteux; into a ubiquitous Bombardier snow-machine tracking across the Arctic, late for a concert with members of the CBC Radio Orchestra; to a basement party where Ian plays Schubert with Stradivarius-wielding cellist Jacqueline du Pré; and on to the stage at Wigmore Hall in London, premiering the works of innovative Canadian composers with the Purcell String Quartet. Structured as if it were a concert, Jan in 35 Pieces revolves around thirty-five compositions that have influenced the course of Ian’s long career. Jan in 35 Pieces is more than a memoir—it is an extravaganza of music history in which Hampton offers smart, playful glimpses into the world of a professional musician.
Images of the Educational Traveller in Early Modern England
This book provides valuable new insights into the public debate over educational travel in early modern England, and examines the seven major images of the educational traveller and the fears and insecurities within English society that engendered them.
Politics and Genre in the Works of Elizabeth Hamilton, 1756–1816
In the first book-length study of the well-respected and popular British writer Elizabeth Hamilton, Claire Grogan addresses a significant gap in scholarship that enlarges and complicates critical understanding of the Romantic woman writer. From 1797 to 1818, Hamilton published in a wide range of genres, including novels, satires, historical and educational treatises, and historical biography. Because she wrote from a politically centrist position during a revolutionary age, Grogan suggests, Hamilton has been neglected in favor of authors who fit within the Jacobin/anti-Jacobin framework used to situate women writers of the period. Grogan draws attention to the inadequacies of the Jacobin/ant...
Films and British National Identity
This book seeks to examine the ways in which the cinema has defined, mythified and disseminated British national identity during the course of the twentieth century. It takes the form of a series of linked essays which examine chronologically, thematically and by specific case studies of films, stars and genres the complexities and ambiguities in the process of evolution and definition of the national identity. It argues for the creation of a distinctive British national identity both in cinema and the wider culture. But it also assesses the creation of alternative identities both ethnic and regional and examines the interaction of cinema and other cultural forms (music, literature and television).
