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Denmark
First published in 1986, Denmark seeks to show the way in which modern Denmark, with its high standard of living, its sense of an orderly society, and its tolerance, had emerged and been shaped since the beginning of the 19th century. It traces its political history, the emergence of political parties and the protracted struggle for parliamentary democracy in the face of a king determined to appoint his own ministers. It looks at the determination of the Danes after the financial repercussions of the Napoleonic wars and the territorial and economic losses resulting from the Schleswig-Holstein debacle in 1864 to win through and recoup their losses. Social changes are described in some detail, particularly in the twentieth century and attention is paid to the workings of the Danish welfare state. Appendices trace in broad outline the historical relationship between Denmark and its former colonies of Greenland and Faroe Islands, now both self-governing territories. This book will be of interest to students of history, geography, political science, sociology and cultural studies.
Ottoman Empire and European Theatre Vol. I
The first volume of the book series Ottoman Empire and European Theatre focuses on the period between 1756 and 1808, the era of W. A. Mozart (1756-1791) and Sultan Selim III (1761-1808). These historical personalities, whose life-spans overlap, were towering figures of their time: Mozart as an extraordinary composer and Selim III as both a politician and a composer. Inspired by the structure of opera, the forty-four contributions of Volume I are arranged in eight sections, entitled Ouverture, Prologue, Acts I-V and Epilogue. The Ouverture includes the opening speeches of diplomats, politicians, and scholars as well as a memorial text for the "Genius of Opera", Turkish prima donna Leyla Gence...
Opera Companies and Houses of Western Europe, Canada, Australia and New Zealand
Although books have been written about various opera houses throughout the world, no one work has covered more than a relatively small number of the larger, well known companies and houses, and none have made more than brief mention of the smaller houses. No book has comprehensively listed opera repertories. Little, in sum, has been written about any of the smaller companies and houses located in non-English-speaking countries. This is the most comprehensive reference book ever written on opera companies and houses in Western Europe, Canada, Australia and New Zealand--over 300, from the well known to the smaller. Each entry includes a history of the opera house or company, the works (title and composer) and type of productions offered, company staff, world and country premieres, repertory, and practical information on the theater's address, nearby hotel accommodations and how to order tickets. Most entries conclude with a bibliography.
Glokalgeschichte
In deutschen Museen hat die klassische stadtgeschichtliche Dauerausstellung ausgedient! Stattdessen schlägt dieser Band ein neues Modell vor, das den Erfordernissen aktueller Einwanderungsgesellschaften Rechnung trägt, indem es glokal verankerte – das heißt am konkreten Ort aufzeigbare, aber über diesen hinausweisende – Interpretationsangebote macht. Es geht um die Dekolonisierung der geschichtlichen Masternarrative.
Grand Opera Outside Paris
Nineteenth-century French grand opera was a musical and cultural phenomenon with an important and widespread transnational presence in Europe. Primary attention in the major studies of the genre has so far been on the Parisian context for which the majority of the works were originally written. In contrast, this volume takes account of a larger geographical and historical context, bringing the Europe-wide impact of the genre into focus. The book presents case studies including analyses of grand opera in small-town Germany and Switzerland; grand operas adapted for Scandinavian capitals, a cockney audience in London, and a court audience in Weimar; and Portuguese and Russian grand operas after...
