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Beginning in the late 1970s, “Gentleman” Gerry Cooney’s professional boxing career was marked by exhilarating fights, exciting wins, and a powerful left hook. In 1982, Cooney landed a lucrative match against world heavyweight champion Larry Holmes on one of the biggest stages in championship boxing. Yet Cooney’s bouts in the ring were nothing compared to the inner turmoil that he dealt with and eventually overcame. Gentleman Gerry: A Contender in the Ring, a Champion in Recovery chronicles the career of a boxing legend, the challenges and triumphs of a trauma survivor, and an alcoholic’s journey to sustained recovery. Gerry Cooney and John Grady provide a detailed account of how th...
Originally published in 1986 (McGraw-Hill), The Black Lights was the first book that fully explored the sport and business of professional boxing. Upon joining the training camp of superlightweight Billy Costello, Thomas Hauser was given unprecedented access to the fighter, his manager, and trainer as well as to the real heavyweights of the boxing world, promoter Don King, and World Boxing Council president Jose Sulaiman. The result, according to Playboy in their review of the original, is a book that "explains why fighters fight, what they go through to win, and how they feel when they lose. It is a great book." In this gracefully written, fast-paced narrative, the author slips quietly into...
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
"A poignant look at Muhammad Ali...Hauser takes readers behind the scenes, giving them a seat at the table with with boxing's biggest power brokers as he reveals the inner workings of the sport and business of boxing."--Inside cover.
This book contains my personal written and photographic account of the last golden era of professional boxing, which began when six Americans who won medals at the 1976 Olympics in Montreal turned pro and ended in 1983 when Marvin Hagler knocked out Thomas Hearns in three thrilling rounds. The real boxing enthusiast will vividly recall that bright shining period in the history of our favorite sport and remember nothing at all about me. That is exactly as it should be because this book is about the fighters and not the writer, who started to memorialize their exploits with a manual typewriter, nondigital camera, and miniature tape recorder over a quarter of a century ago.
Professional sports in America offer numerous examples of equal opportunity and broken down racial barriers. These developments call for pride and celebration. Yet skin color continues to have an influence in how Americans experience sport. From Al Campanis' statement about the under-representation of blacks in baseball front offices to the almost exclusively white ownership of professional teams, one sees that sports, though admirably more equitable than other societal institutions, are hardly a colorblind American pursuit. Choosing the racially charged sport of boxing for investigation, the author has compiled dozens of statistics measuring whether or not America's racial majority still yearns for a white champion--a Great White Hope. Drawing upon data from The Ring Magazine and its annual record books, this study endeavors to bolster or refute the popular perception in boxing circles that white fighters of lesser ability are helped along to their sports elite level, as a result of being promotional gold in the eyes of the public.
The weekly source of African American political and entertainment news.
The weekly source of African American political and entertainment news.
Originally published as a dissertation in 1993, this revised edition of Black Athletes in the Media is a sociohistorical documentation of trends in the characterization of black athletes in the news media. This study seeks to demonstrate and explain the ambiguity and dilemma of black acceptance in the American ideal with respect to black sporting achievements over the Twentieth Century. The evolution of black stereotypes, depictions and generalizations are traced and exposed in contemporary media. With respect to the media as the foremost propagator of the racial stereotype, it has the ability to shape, influence and arouse public opinion through the manipulation of controversial events. As a result, social imagination is thus enhanced by this authority and keeper of social values. The major attention given to black and ethnic athletes by the media represents and reflects a consistent pattern of racial assessments and stereotypical journalistic attitudes.
This anthology interrogates two salient concepts in studying the black experience. Ushered in with the age of New World encounters, modernity emerged as brutal and complex, from its very definition to its manifestations. Equally challenging is blackness, which is forever dangling between the range of uplifting articulations and insidious degradation. The essays in Western Fictions address the conflicting confluences of these two terms. Questioning Eurocentric and mainstream American interpretations, they reveal the diverse meanings of modernities and blackness from a wide range of milieus of the black experience. Interdisciplinary and wide-ranging in thematic and epochal scope, they use theoretical and empirical studies of a range of subjects to demonstrate that, indeed, blackness is relevant for understanding modernities and vice versa.