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Chinese Ghost Stories
Chinese Ghost Stories offers a selection of entertaining Chinese tales of the fantastical and paranormal. Author Lafcadio Hearn had a great affinity for the traditional ghost stories of China, and these stories clearly inspired him as he penned subsequent works. Set in richly atmospheric locales, these tales speak of heroic sacrifice, chilling horror, eerie beauty and otherworldly intervention. The six ghost stories include: The Soul of the Great Bell The Story of Ming Yi The Legend of Zhi Nu The Return of Yan Zhenjing The Tradition of the Tea Plant The Tale of the Porcelain God This completely reset and pinyin-converted edition of Hearn's classic work contains a new foreword by Victoria Cass, which places the stories, their author, and his love for the strange and mysterious into perspective. If you're seeking insights into the traditional Chinese world of ghosts, goblins and demons--or just want to feel a chill run down your spine on a dark and lonely night--then this book is the perfect companion.
Chinese Ghost Stories for Language Learners: New Adaptations of Chinese Folklore Ghost Tales - Learn Chinese Mythology, Culture, Traditional Folktales - Bilingual Horror Stories in Chinese and English
Unlock the mystical world of ancient China's ghostly folklore with our new adaptations of classic Chinese literary works. Immerse yourself in the supernatural realm while honing your Chinese skills and uncovering centuries-old mythology, traditions, and beliefs. In this collection, we have carefully curated 15 intriguing ghost or supernatural stories, presented in both Chinese and English. These stories are new adaptations of selected tales from renowned literary works in China, including Strange Tales from a Chinese Studio 《聊斋志异》, Miscellaneous Morsels from Youyang 《酉阳杂俎》, Anecdotes About Spirits and Immortals《搜神记》, and more. We adapt these stories for a co...
Chinese Ghost Stories - Strange Stories from a Chinese Studio
Chinese Ghost Stories - Strange Stories from a Chinese Studio, is a collection of 164 Classical Chinese stories compiled by Pu Songling. These hair-raising tales focus on the everyday life of commoners and their interaction ghosts, fox spirits, immortals, demons and other spirits. Pu Songling used the supernatural and the unexplainable to illustrate his ideas of society and government. Through the stories he criticized the corruption and injustice in society and sympathized with the poor. With the embedded Confucian-styled moral standards and Taoist principles this collection of supernatural stories. Dating back to the Qing dynasty, its earliest publication date is given as 1740. Since then, many of the critically lauded stories have been adapted for other media such as film and television. Long considered of true classic of Chinese literature, this second edition of Herbert Giles translation, with over 600 footnotes of backstory, provides a fascinating glimpse into the daily life of the Chinese in the time period, while tantalizing the reader with tales of the supernatural.
中国鬼故事
A collection of twelve short readings in simplified Chinese on traditional ghost stories, myths, and fables.
Some Chinese Ghosts
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Marvelous Chinese Ghost Stories
It is always an issue of the existence of ghost for over thousand years in the past. The book "Marvelous Chinese Ghost Stories" was originally written by the famous Chinese writer Pu, Song-Ling (1640-1715) who was the top of Chinese Ghost Literary. Through the modern writer Tom Ma's interpretation and translations, readers will surely have a clear picture about the so-called Ghosts and their live stories in ancient Chinese society. This bilingual English-Chinese little book will also overwhelm your typical image of "Chinese Ghosts"!
Chinese Ghost Stories
Chinese Ghost stories bring the past into the present, with everyday tales, fables and the antics of mischievous gods. A delightful collection of Chinese ghost stories such as The Painted Skin, The Laughing Ghost, The God of the City, The Magic Sword, The Dangerous Reward and more. FLAME TREE 451: From myth to mystery, the supernatural to horror, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.
Strange Tales from a Chinese Studio
Long considered a masterpiece of the eerie and fantastic, Strange Tales from a Chinese Studio is a collection of supernatural-themed tales compiled from ancient Chinese folk stories by Songling Pu in the eighteenth century. These tales of ghosts, magic, vampirism, and other things bizarre and fantastic are an excellent Chinese companion to Lafcadio Hearn's well-known collections of Japanese ghost stories Kwaidan and In Ghostly Japan. Already a true classic of Chinese literature and of supernatural tales in general, this new edition of the Herbert A. Giles translation converts the work to Pinyin for the first time and includes a new foreword by Victoria Cass that properly introduces the book to both readers of Chinese literature and of hair-raising tales best read with the lights turned low on a quiet night. Some of the stories found in these pages include: The Tiger of Zhaocheng The Magic Sword Miss Lianziang, the Fox-Girl The Quarrelsome Brothers The Princess Lily A Rip Van Winkle The Resuscitated Corpse Taoist Miracles A Chinese Solomon
The Perturbed Self
By comparison of late nineteenth-century ghost stories between China and Britain, this monograph traces the entangled dynamics between ghost story writing, history-making, and the moulding of a gendered self. Associated with times of anxiety, groups under marginalisation, and tensions with orthodox narratives, ghost stories from two distinguished literary traditions are explored through the writings and lives of four innovative writers of this period, namely Xuan Ding (宣鼎) and Wang Tao (王韬) in China and Vernon Lee and E. Nesbit in Britain. Through this cross-cultural investigation, the book illuminates how a gendered self is constructed in each culture and what cultural baggage and assets are brought into this construction. It also ventures to sketch a common poetics underlying a "literature of the anomaly" that can be both destabilising and constructive, subversive, and coercive. This book will be welcomed by the Gothic studies community, as well as scholars working in the fields of women’s writing, nineteenth-century British literature, and Chinese literature.
