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This highly anticipated catalogue of sixteenth-century paintings from the distinguished collection of the National Gallery in London encompasses artists who were active in Bergamo, Brescia, and Cremona, cities characterized as much by the artistic interaction between them as by the influence of Venice. The artists include such well-known names as Lorenzo Lotto, Moretto, and Moroni, along with less familiar ones such as Bartolomeo Veneto and Callisto Piazza. For each of the paintings, distinguished scholar and curator Nicholas Penny provides information about technique and materials, conservation and condition, and subject and iconography. An account of the painting's original patronage is followed by a discussion of changing tastes, interpretation, and how the picture was esteemed (or neglected) over the centuries. One third of the paintings catalogued here are portraits, and entries include fascinating sections on contemporary dress, furnishings, and accessories. An appendix provides an illuminating account of some of the great collectors and collections of the past.
Throughout the European Middle Ages, the death of high-ranking prelates was usually interwoven with violent practices. During Empty Sees, mobs ransacked bishops’ and popes’ properties to loot their movable goods. Eventually, in the later Middle Ages, they also plundered the goods of newly-elected popes, and the cells of the Conclave. This book follows and analyzes the history of this violence, using a methodology akin to cultural anthropology, with concepts such as liminal periodization. It contends that pillaging was attached to ecclesiastical interregna, and the nature of ecclesiastical elections contributed to a pillaging ‘problem.’ This approach allows for a fresh reading and re-contextualization of one of the greatest political crises of the later Middle Ages, the Great Western Schism.
In The Excommunication of Elizabeth I, Aislinn Muller examines the excommunication and deposition of Queen Elizabeth I of England by the Roman Catholic Church, and its political afterlife during her reign. Muller shows that Elizabeth’s excommunication was a crucial turning point for both Catholics and Protestants, one that irrevocably changed attitudes towards the queen, widened political participation and resistance, and posed a destabilising threat to her regime. The Excommunication of Elizabeth I demonstrates how this event exacerbated religious tensions in England’s foreign and domestic politics, and how Elizabeth’s conflict with the papacy shaped the development of anti-Catholicism in post-Reformation England.
Die marmorne Liegestatue der frühchristlichen Jungfrau und Märtyrerin Cäcilie, die sich seit ihrer Entstehung zum Jubeljahr 1600 an ihrem ursprünglichen Aufstellungsort in Rom befindet, gilt aufgrund innovativer Rahmung und Formensprache als bahnbrechend in der westlichen Kunst. Im Hinblick auf ihren kulturellen, religiösen, sozialen und politischen Hintergrund wurde sie aber bislang noch nie umfassend untersucht. Die vorliegende, interdisziplinäre Studie widmet sich genau diesem Kraftfeld. Es bestimmt die Genese, Bedeutung und frühe Rezeption des Grabbildes Cäciliens wie auch des Stifters, Kardinal Paolo Camillo Sfondrato. Die Figur wirkt nicht nur im gesamten Kircheninnenraum der d...
Volume 34 A and B (two-volume set)
Increasingly, historians acknowledge the significance of crusading activity in the fifteenth century, and they have started to explore the different ways in which it shaped contemporary European society. Just as important, however, was the range of interactions which took place between the three faith communities which were most affected by crusade, namely the Catholic and Orthodox worlds, and the adherents of Islam. Discussion of these interactions forms the theme of this book. Two essays consider the impact of the fall of Constantinople in 1453 on the conquering Ottomans and the conquered Byzantines. The next group of essays reviews different aspects of the crusading response to the Turks,...