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The Weight of the Printed Word
In The Weight of the Printed Word, Steve Wright explores the creation and use of documents as a key dimension in the activities of the Italian workerists during the 1960s and 1970s, as they sought to organise amongst new subjectivities of mass rebellion.
Images of Class
The first overview of the unique encounter between artists and the prominent Marxist current Workerism, also known as Operaismo During the 1960s and 1970s, Workerism and Autonomia were prominent Marxist currents. However, it is rarely acknowledged that these movements inspired many visual artists such as the members of Archizoom, Gordon Matta-Clark and Gianfranco Baruchello. This book focuses on the aesthetic and cultural discourse developed by three generations of militants (including Mario Tronti, Antonio Negri, Bifo and Silvia Federici), and how it was appropriated by artists, architects, graphic designers and architectural historians such as Manfredo Tafuri. Images of Classsignposts key ...
Italian Operaismo
An accessible, introductory presentation of operaismo, one of the most important revolutionary theories and praxes of the twentieth century. “Operaismo is a Machiavellian return to first principles: it is a return to Marx against Marxism, against its tradition of determinism, historicism, and objectivism. Operaismo isn’t a heresy within the Marxist family, it is a rupture with that family.”—extract from Italian Operaismo This accessible, introductory presentation of operaismo (or “workerism” in English) arms readers with a deeper understanding of the concepts, context, and history of one of the most important revolutionary theories and praxes of the twentieth century. While the i...
Postwar Italian Art History Today
Postwar Italian Art History Today brings fresh critical consideration to the parameters and impact of Italian art and visual culture studies of the past several decades. Taking its cue from the thirty-year anniversary of curator Germano Celant's landmark exhibition at PS1 in New York – The Knot – this volume presents innovative case studies and emphasizes new methodologies deployed in the study of postwar Italian art as a means to evaluate the current state of the field. Included are fifteen essays that each examine, from a different viewpoint, the issues, concerns, and questions driving postwar Italian art history. The editors and contributors call for a systematic reconsideration of the artistic origins of postwar Italian art, the terminology that is used to describe the work produced, and key personalities and institutions that promoted and supported the development and marketing of this art in Italy and abroad.
Francesco Biamonti (1928-2001)
Der Schriftsteller Francesco Biamonti (1928-2001) ist eine der leisen Stimmen in der italienischen Literatur der achtziger und neunziger Jahre des vergangenen Jahrhunderts und gleichzeitig eine der ungewöhnlichsten. Mittelpunkt seines Romanwerks sind Landschaft und Natur Liguriens. Die Analyse zeigt auf, wie Biamonti über die Fiktionalisierung von Landschaft und ihrer Lichtverhältnisse kulturelle und soziopolitische Wirklichkeit sichtbar macht. Nicht nur epochale Entwicklungen und Umbrüche der letzten Jahrzehnte des 20. Jahrhunderts werden damit deutlich, sondern auch ästhetische und lebensweltliche Strukturen sowie Gefühle und Sinneswahrnehmungen. Fundament dieser Studie sind untersch...
Beyond Marx
Capitalism has proven much more resilient than Marx anticipated, and the working class has, until now, hardly lived up to his hopes. The Marxian concept of class rests on exclusion. Only the ‘pure’ doubly-free wage-workers are able to create value; from a strategic perspective, all other parts of the world’s working populations are secondary. But global labour history suggests, that slaves and other unfree workers are an essential component of the capitalist economy. What might a critique of the political economy of labour look like that critically reviews the experiences of the past five hundred years while moving beyond Eurocentrism? In this volume twenty-two authors offer their thoughts on this question, both from a historical and theoretical perspective. Contributors include: Riccardo Bellofiore, Sergio Bologna, C. George Caffentzis, Silvia Federici, Niklas Frykman, Ferruccio Gambino, Detlef Hartmann, Max Henninger, Thomas Kuczynski, Marcel van der Linden, Peter Linebaugh, Ahlrich Meyer, Maria Mies, Jean-Louis Prat, Marcus Rediker, Karl Heinz Roth, Devi Sacchetto, Subir Sinha, Massimiliano Tomba, Carlo Vercellone, Peter Way, Steve Wright.
