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Images of Class
The first overview of the unique encounter between artists and the prominent Marxist current Workerism, also known as Operaismo During the 1960s and 1970s, Workerism and Autonomia were prominent Marxist currents. However, it is rarely acknowledged that these movements inspired many visual artists such as the members of Archizoom, Gordon Matta-Clark and Gianfranco Baruchello. This book focuses on the aesthetic and cultural discourse developed by three generations of militants (including Mario Tronti, Antonio Negri, Bifo and Silvia Federici), and how it was appropriated by artists, architects, graphic designers and architectural historians such as Manfredo Tafuri. Images of Classsignposts key ...
Individuals Against Individualism
"This volume is the first publication to examine in detail the phenomenon of collective art practice in the continental Western Europe of the late 1950s and of the 1960s. The book elaborates a comparative perspective, engaging with a cultural history of art deeply concerned with political ideas and geopolitical conflicts. Groups of artists and activists including Equipo 57, Equipo Cronica, Equipo Realidad, N, GRAV, Spur, Geflecht and Kommune I, have often been neglected in the English-speaking world. This happened partly because they were active in allegedly minor art centres such as Valencia, Padua, Cordoba, West-Berlin and Munich. However, their works, debates and intellectual networks cas...
Collecting the Revolution
In the late 1960s, student protests broke out throughout much of the world, and while Britain’s anti-Vietnam protestors and China’s Red Guards were clearly radically different, these movements at times shared inspirations, aspirations, and aesthetics. Within Western popular media, Mao’s China was portrayed as a danger to world peace, but at the same time, for some on the counter-cultural left, the Cultural Revolution (1966–1976) contained ideas worthy of exploration. Moreover, because of Britain’s continued colonial possession of Hong Kong, Britain had a specific interest in ongoing events in China, and information was highly sought after. Thus, the objects that China exported—pr...
The Weight of the Printed Word
In The Weight of the Printed Word, Steve Wright explores the creation and use of documents as a key dimension in the activities of the Italian workerists during the 1960s and 1970s. From leaflets and newspapers to books, internal documents and workers’ enquiries; the operaisti deployed a wide variety of printed materials in their efforts to organise amongst new subjectivities of mass rebellion. As Wright demonstrates, the practice of working with print was a central part of what it meant to be a workerist or autonomist militant during these years: one that throws light both on the meaning of political engagement, as well as the challenges posed by the use of technologies of communication and by emergent social subjects.
Against the Avant-Garde
"This book casts the poet and filmmaker Pier Paolo Pasolini in a fresh light: his life and work in relation to the visual and performance arts of his time in both Europe and the US. Lavishly illustrated with both documentary and fine art images, it shows how essentially conservative Pasolini was politically and aesthetically despite his reputation as an avant-garde writer and filmmaker. But it also shows how truly advanced Pasolini was when it comes to interdisciplinary art, making him enormously relevant today"--
New Tendencies
An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics. New Tendencies, a nonaligned modernist art movement, emerged in the early 1960s in the former Yugoslavia, a nonaligned country. It represented a new sensibility, rejecting both Abstract Expressionism and socialist realism in an attempt to formulate an art adequate to the age of advanced mass production. In this book, Armin Medosch examines the development of New Tendencies as a major international art movement in the context of social, political, and technological history. Doing so, he traces concurrent paradigm shifts: the change from F...
Up Against the Real
A history of 1960s activist art group Black Mask. With Up Against the Real, Nadja Millner-Larsen offers the first comprehensive study of the group Black Mask and its acrimonious relationship to the New York art world of the 1960s. Cited as pioneers of now-common protest aesthetics, the group’s members employed incendiary modes of direct action against racism, colonialism, and the museum system. They shut down the Museum of Modern Art, fired blanks during a poetry reading, stormed the Pentagon in an antiwar protest, sprayed cow’s blood at the secretary of state, and dumped garbage into the fountain at Lincoln Center. Black Mask published a Dadaist broadside until 1968, when it changed its...
Revolting Indolence
"Through the use and study of photography, archives, literature, television, film, and installation art, Marcos Gonsalez makes a case for the role that indolence plays in challenging a neoliberal capitalist economy that is deeply embedded with cis-heteronormative and white supremacist values. By focusing on the ways in which queer/trans Latinx people find ways to demonstrate their lack of willing participation in these systems, he finds that dozing, slacking, daydreaming, partying, and lounging revolt against these systems and in turn are treated as being "revolting." Everything from the trans ur-text that is Paris is Burning, and the subsequent controversies, conversations, and evaluations of it in the decades since its debut, to RuPaul's Drag Race, to documentary photography of queer and trans life in Chicanx Los Angeles to writings and remembrances of the Pulse nightclub shootings, visuality, memory, racial and sexual identity merge together to shape alternative paths of resistance and ways of living within this culture and its economy"--
Global Revolutionary Aesthetics and Politics after Paris ‘68
The year 2018 marked the fiftieth anniversary of May ’68, a startling, by now almost mythic event which combined seriousness, courage, humor and theatrics. The contributions of this volume—based on papers presented the conference Does “la lutte continue”? The Global Afterlife of May ’68 at Florida State University in March 2019—explore the ramifications of that springtime protest in the contemporary world. What has widely become known as the movement of ‘68 consisted, in fact, of many synchronous movements in different nations that promoted a great variety of political, social, and cultural agendas. While it is impossible to write a global history of ’68, this volume presents...
