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Fluxus
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Fluxus Codex
Fluxus was an art movement of the 1960s and 70s that set out to abolish the canonized art idioms of the day. Pioneers of Conceptual Art and Minimalism, the Fluxus artists were known for their environments, performance art and mass-producible objects. This book is a study of the Fluxus movement.
Fluxus, Etc
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Work Ethic
Examines the proliferation of new ways of making "art" in the 1960s by focusing on the changed organization of work in society at the time. Co-published with The Baltimore Museum of Art in conjunction with an exhibition of the same name.
Fluxus Etc
Indeholder bl.a. serien af "Fluxus Newsletters" og et udskrevet videobånd med interview med George Maciunas, 1978
Wait, Later this Will be Nothing
Catalog of an exhibition held Feb. 13-June 24, 2013.
Fluxus Forms
“PURGE the world of dead art, imitation, artificial art. . . . Promote living art, anti-art, promote NON ART REALITY to be grasped by all peoples,” writes artist George Maciunas in his Fluxus manifesto of 1963. Reacting against an elitist art world enthralled by modernist aesthetics, Fluxus encouraged playfulness, chance, irreverence, and viewer participation. The diverse collective—including George Brecht, Robert Filliou, Dick Higgins, Alison Knowles, George Maciunas, Yoko Ono, Nam June Paik, Benjamin Patterson, Takako Saito, Mieko Shiomi, Ben Vautier, and Robert Watts—embraced humble objects and everyday gestures as critical means of finding freedom and excitement beyond traditiona...
Maciunas' Learning Machines
The art of cross-linked thinking consists in facilitating dealing with complexity and admitting new insights. This approach, prevailing in all realms of knowledge, determines also the artistic praxis of Fluxus initiator George Maciunas. This book shows some hundred diagrams and maps related to history from antiquity to postmodernism; they serve to visualize artistic, political, and economic correlations. If it were up to Maciunas, there wouldn’t be any real concept of the past without percepts. With his maps, diagrams, and tables, a big part of which is published for the first time, he tries to draw a picture of history in a different way. The result seems fascinating both on a scientific and artistic level. It opens insights into eye-opening correlations between dates and facts as well as makes appear completely novel forms of knowledge transfer.
Fluxus Experience
Hannah Higgins explores the influential art movement Fluxus. Daring, disparate and contentious, Fluxus artists worked with minimal and prosaic materials now familiar in post-World War II art. Higgins describes the experience of Fluxus for viewers as affirming transactions between the self and the world.
Sculpture and the Vitrine
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. They separate objects from their contexts, group them with other objects, both similar and dissimilar, and often serve to reinforce their intrinsic or aesthetic values. The vitrine has much in common with the picture frame, the plinth and the gallery, but it has not yet received the kind of detailed art historical and theoretical discussion that has been brought to these other modes of formal display. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with s...
