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This book is a critical appraisal of the distinctive modern school of thought known as French existentialism. It philosophically engages the ideas of the major French existentialists, namely, Beauvoir, Merleau-Ponty, Marcel, Camus, and, because of his central role in the movement, especially Sartre, in a fresh attempt to elucidate their contributions to contemporary philosophy.
The sitcom made its first appearance in January of 1949 with the introduction of television's first family, The Goldbergs. Since the advent of the sitcom, televised fictional families have reflected the changing structure of American society. The sitcom emphasized first the lives of suburban, working class European immigrants and gradually expanded to encompass the multicultural urban phenomena of the 1960s. The roles of men and women in the fictional family have similarly been adjusted to depict women's movement into the workforce and the changing identity of the father. As censorship laws became less stringent, sitcom viewers also began to be exposed to the realities of changing family dyn...
Much as men rushed to the California gold fields, a small group of proud and visionary cattlemen heard of the boundless open and free range land of Central and Southeastern Oregon in the mid-1800s and brought their herds there. Sometimes called “Cattle Kings,” or “Cattle Barons,” they ruled with painstaking vigor, occasional cruelty, and tenacity the untitled land. Thousands of their cattle and horses grazed on the boundless prairies. Four men who built cattle empires were John Devine, Peter French, Bill Hanley, and Henry Miller. One of these four barons eventually owned it all. Smaller ranchers were tolerated but bun-carrying vaqueros discouraged intruders, particularly sheep men and homesteaders. Their empires lasted until the mid-1900s, but during their time they made the era legendary in the history of the region.
A number of books and articles have been written ranking the best situation comedies of all time. These have all had something in common--subjective criteria based on the authors' opinions. This book attempts an objective ranking of the best 100 American sitcoms, based on a mathematical formula taking into account four factors: ratings, longevity, peer acceptance and spawning of other programs (spin-offs). The authors considered a field of 377 series which met at least one of four criteria: aired for at least three seasons; rated among top 30 series in at least one season; received at least one major Emmy nomination; or spawned at least one other series. A critical essay is provided for each series, along with air dates and cast listings.
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