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The Art of Gillian Jagger
Gillian Jagger s complex and moving sculptures are documented in the Elvehjem s (now Chazen's) catalogue of the first museum-organized exhibition of her work. Installation pieces and works on paper are featured, including Jagger s Matrice a deer carcass found on the road near her studio, stabilized by resin, and suspended with dairy cow stanchions and metal rigging, all hanging above broken stones from a New York quarry. In Rift, suspended fragments of weathered board, coiling barbed wire, rusted cutting tools, bones of a deer, a horse skull, and a mummified cat represented the artist s protest against animal abuse. Jagger incorporated sections of a large tree trunk, cast rocks, a grid, chains, hooks, and pulleys in her major recent work, Spiral. Distributed for theChasen Museum of Art, University of Wisconsin Madison "
Sculpture and Archaeology
In recent years the intersections between art history and archaeology have become the focus of critical analysis by both disciplines. Contemporary sculpture has played a key role in this dialogue. The essays in this volume, by art historians, archaeologists and artists, take the intersection between sculpture and archaeology as the prelude for analysis, examining the metaphorical and conceptual role of archaeology as subject matter for sculptors, and the significance of sculpture as a three-dimensional medium for exploring historical attitudes to archaeology.
Relocating Britishness
Offering a range of original perspectives on how Britishness might be constructed at the turn of the millennium and where it might be going, this volume pulls together various disciplines and a variety of geographical perspectives to offer a distinctive set of views for the understanding of Britishness and how it is expressed.
North American Women Artists of the Twentieth Century
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Arts Magazine
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Arts Digest
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New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Art on Sight: The Best Art Walks In and Near New York City
The complete art-lovers guide to all the known and unknown art in New York City. Art on Sight: The Best Outings In and Near New York City invites readers to see public art in a wide variety of venues and applications. Covering the five boroughs of New York City and nearby sites close to the city, it features information on sculpture gardens, lobby art, underground art, cemetery art, stained glass windows, ethnic art, art auction houses and design centers. Each site description includes complete directions, web sites and information concerning hours, fees and other pertinent details.
Acts of Engagement
Addresses the fundamental humanity and necessity of the visual arts : what they are about, why artists are indispensible, and why art and artists matter.
Vile Days
Gary Indiana's collected columns of art criticism from the Village Voice, documenting, from the front lines, the 1980s New York art scene. In 1985, the Village Voice offered me a job as senior art critic. This made my life easier and lousy at the same time. I now had to actually enter all those galleries instead of peeking in the windows. At times, the only tangible perk was having the chump for a fifth of vodka whenever twenty more phonies had flattered my ass off in the course of a working week. —from Vile Days From March 1985 through June 1988 in The Village Voice, Gary Indiana reimagined the weekly art column. Thirty years later, Vile Days brings together for the first time all of thos...
