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Painting in Stone
A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
Archaeology and Architecture of the Military Orders
As elite communities in medieval societies the Military Orders were driven by the ambition to develop built environments that fulfilled monastic needs as well as military requirements and, in addition, residential and representational purposes. Growing affluence and an international orientation provided a wide range of development potential. That this potential was in fact exploited may be exemplified by the advanced fortifications erected by Templars and Hospitallers in the Levant. Although the history of the Military Orders has been the subject of research for a long time, their material legacy has attracted less attention. In recent years, however, a vast range of topics concerning the Or...
Church Reform and Social Change in Eleventh-Century Italy
Winner of the John Gilmary Shea Prize of the American Catholic Historical Association
Greater Than Emperor
Studies the adoption of a new civic identity in fourteenth-century Rome from the perspective of a young revolutionary, Cola di Rienzo
I centri minori italiani nel tardo Medioevo
In the late Middle Ages, Italy was one of the most urbanized areas in Europe. Its coasts, the Apennines, the perialpine area and the plains were all home to a large number of smaller towns, lands, villages, castra, and 'quasi cites'. These settlements were all very diverse in terms of demographic consistency, social articulation and economic dynamism, but together they constituted a characteristic and constitutive element of the Italian historical identity: an 'original personality'. This volume, thanks to some framing essays and a mapping of individual cases involving most of the northern, central and southern regions, aims at investigating the active research on this topic over the last thirty to forty years.
Piety and Plague
Plague was one of the enduring facts of everyday life on the European continent, from earliest antiquity through the first decades of the eighteenth century. It represents one of the most important influences on the development of Europe’s society and culture. In order to understand the changing circumstances of the political, economic, ecclesiastical, artistic, and social history of that continent, it is important to understand epidemic disease and society’s response to it. To date, the largest portion of scholarship about plague has focused on its political, economic, demographic, and medical aspects. This interdisciplinary volume offers greater coverage of the religious and the psychological dimensions of plague and of European society’s response to it through many centuries and over a wide geographical terrain, including Byzantium. This research draws extensively upon a wealth of primary sources, both printed and painted, and includes ample bibliographical reference to the most important secondary sources, providing much new insight into how generations of Europeans responded to this dread disease.
Pope, church, and city [electronic resource]
This volume of essays covers themes which are central to the work of Brenda Bolton as a scholar and teacher: Innocent III, the city of Rome, the medieval Church and the urban context of the Italian peninsula in the late Middle Ages.
Experiencing Medieval Art
Renowned art historian Herbert L. Kessler authors a love song to medieval art inviting students, teachers, and professional medievalists to experience the wondrous, complex art of the Middle Ages.
