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Yeats and the Drama of Sacred Space
In recent years Yeats scholarship has been, to a large extent, historically-based in emphasis. Much has been gained from this emphasis, if we consider the refinement of critical awareness resulting from a better understanding of the intricate relationship between the poet and his times. However, the present author feels that an exclusive adherence to this approach impacts negatively on our ability to appreciate and understand Yeatsian creativity from within the internally located imperatives of creativity itself, as opposed to our understanding it on the basis of aesthetically constitutive socio-historical forces operative from without. He feels a need to relocate the study of Yeats in the w...
A Convergence of the Creative and the Critical
Literary modernism and its aftermath saw few more enigmatic practitioners than Henry Green. Green was a remarkably innovative and experimental novelist, while also being a keenly perceptive observer of the turbulent times in which he wrote. With his writing spanning the high-point of modernism in the 1920s, the turn towards greater social and political engagement in the 1930s and the search for new beginnings in the post-war period, Green's texts reflect some of the most important literary developments of the twentieth century. This book takes a fresh approach to Green, one that places his work firmly in its contemporary critical context. By exploring the insights of two of the most formativ...
The Tragedy of King Lear
Offers a completely new introduction, with a particular emphasis on the play's afterlife in global performance and adaptation.
Macbeth
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Macbeth provides a thorough reconsideration of one of Shakespeare's most popular plays. In his introduction, A. R. Braunmuller explores Macbeth's immediate theatrical and political contexts, particularly the Gunpowder Plot, and addresses such celebrated questions as: do the Witches compel Macbeth to murder; is Lady Macbeth herself in some sense a witch; is Macduff morally culpable? A new and well-illustrated account of the play in performance examines several cinematic versions, such as those by Kurosawa and Roman Polanski, as well as other dramatic adaptations. Several possible new sources are suggested and the presence of Thomas Middleton's writing in the play is also proposed.
Shakespeare and the Italian Renaissance
Shakespeare and the Italian Renaissance investigates the works of Shakespeare and his fellow dramatists from within the context of the European Renaissance and, more specifically, from within the context of Italian cultural, dramatic, and literary traditions, with reference to the impact and influence of classical, coeval, and contemporary culture. In contrast to previous studies, the critical perspectives pursued in this volume’s tripartite organization take into account a wider European intertextual dimension and, above all, an ideological interpretation of the 'aesthetics' or 'politics' of intertextuality. Contributors perceive the presence of the Italian world in early modern England not as a traditional treasure trove of influence and imitation, but as a potential cultural force, consonant with complex processes of appropriation, transformation, and ideological opposition through a continuous dialectical interchange of compliance and subversion.
Much Ado About Nothing
This new edition features an updated introduction analysing recent critical and performance interpretations, and a revised reading list.
The First Quarto of Othello
This is the first modernized and edited version of the 1622 text of Othello. It consists of a detailed introduction, quarto text, select collation and textual notes and is an important book for scholars in Shakespeare and Elizabethan-Jacobean drama, with wide ramifications for other Shakespeare textual studies and for students of early theatre history.
Questioning Bodies in Shakespeare's Rome
Ancient Rome has always been considered a compendium of City and World. In the Renaissance, an era of epistemic fractures, when the clash between the 'new science' (Copernicus, Galileo, Vesalius, Bacon, etcetera) and the authority of ancient texts produced the very notion of modernity, the extended and expanding geography of ancient Rome becomes, for Shakespeare and the Elizabethans, a privileged arena in which to question the nature of bodies and the place they hold in a changing order of the universe. Drawing on the rich scenario provided by Shakespeare's Rome, and adopting an interdisciplinary perspective, the authors of this volume address the way in which the different bodies of the ear...
The Third Part of King Henry VI
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries, textual notes on the plays and poems and an extensive Introduction. Shakespeare's plays about the reign of King Henry VI were written at the beginning of his career. A recent series of outstanding productions has demonstrated their theatrical vitality, and their sceptical questioning of Elizabethan orthodoxies has been understood through revisionist readings of the history of Shakespeare's own times. In The Third Part of King Henry VI, Shakespeare extends his essay on monarchical politics by contrasting two kings, the good but ineffective Henry VI with his rival, the sensual and victorious Edward IV. He also shows the perils of aristocratic factionalism in a series of scenes that display the grievous wounds caused by the Wars of the Roses.
The Poems
Includes all the narrative poems that can confidently be assigned to Shakespeare.
