You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This new work by Gerald Murnane is a fictionalised autobiography told in thirty sections, each of which begins with the memory of a book that has left an image on the writer?s mind. The titles aren?t given but the reader follows the clues, recalling in the process a parade of authors, the great, the popular, and the now-forgotten. The images themselves, with their scenes of marital discord, violence and madness, or their illuminated landscapes that point to the consolations of a world beyond fiction, give new intensity to Murnane?s habitual concern with the anxieties and aspirations of the wri.
The inaugural winner of The Novel Prize, an international biennial award established by Giramondo (Australia), Fitzcarraldo Editions (UK) and New Directions (USA). Cold Enough for Snow was unanimously chosen from over 1500 entries. A novel about the relationship between life and art, and between language and the inner world – how difficult it is to speak truly, to know and be known by another, and how much power and friction lies in the unsaid, especially between a mother and daughter. A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafés and restaurants and walk ...
This new work of fiction by one of Australia’s most highly regarded authors focuses on the importance of trust, and the possibility of betrayal, in storytelling as in life. It tests the relationship established between author and reader, and on occasions of intimacy, between child and parent, boyfriend and girlfriend, husband and wife. Murnane’s fiction is woven from images, and the feelings associated with them, and the images that flit through A Million Windows like butterflies – the reflections of the setting sun like spots of golden oil, the houses of two or perhaps three storeys, the procession of dark-haired females, the clearing in the forest, the colours indigo and silver-grey, the death of a young woman who had leaped into a well – build to an emotional crescendo that is all the more powerful for the intricacy of their patterning.
Originally published: Australia: Giramondo, 2013.
A memoir of intoxication like no other, On Drugs explores Chris Fleming’s experience of drug addiction, which begins while he is a student before escalating into a life-threatening compulsion. A philosopher by training, Fleming combines meticulous observation of his life with a keen sense of the absurdity of his actions. He describes the intricacies of drug use and acquisition, their impact on the intellect and emotions, and the chaos that emerges as his tightly managed existence unravels into arrests, hospitalisations and family breakdown. His account is accompanied by searching reflections on his childhood, during which he developed acute obsessive compulsive disorder and became fixated ...
Throughdelicately wrought essays and hand-drawn illustrated maps, Mirror Sydney chartsan alternative view of the harbour city, to show a place of suburban mysteries,hidden stories, and anachronistic sites. Vanessa Berry, one of Australia's mostacute observers of the urban landscape, casts an attentive eye upon overlooked,odd, and seemingly mundane places, tracing their connections and theirsignificance to the city as a whole. As developmentshadows every aspect of the city's life, Mirror Sydney documents, in avery personal way, the fast-vanishing traces of the recent past, finding newmeaning in minor landmarks and uncelebrated sites. From abandoned amusementparks to mysterious traffic islands...
Small Acts of Disappearance is a collection of ten essays that describes the author's affliction with an eating disorder which begins in high school, and escalates into life-threatening anorexia over the next ten years. Fiona Wright is a highly regarded poet and critic, and her account of her illness is informed by a keen sense of its contradictions and deceptions, and by an awareness of the empowering effects of hunger, which is unsparing in its consideration of the author's own actions and motivations. The essays offer perspectives on the eating disorder at different stages in Wright's life, at university, where she finds herself in a radically different social world to the one she grew up in, in Sri Lanka as a fledgling journalist, in Germany as a young writer, in her hospital treatments back in Sydney. They combine research, travel writing, memoir, and literary discussions of how writers like Christina Stead, Carmel Bird, Tim Winton, John Berryman and Louise Gluck deal with anorexia and addiction; together with accounts of family life, and detailed and humorous views of hunger-induced situations of the kind that are so compelling in Wright's poetry.
We're alone together, for the first time. I have to touch him now. I try stroking a foot, then a shoulder. But no current lifts in me, nothing pulls at my chest they way they said it would.A new mother holds her month-old son for the first time, but her body betrays her. Disoriented, she trails her taciturn partner around their plant-filled Buenos Aires apartment. Little by little, everything begins to unravel.Taking place over the course of an evening, Mariana Dímopulos's mesmerising novella shifts seamlessly between the present and the past. In this dreamlike space, made from overlapping vig.
Benni adora leggere e un giorno si imbatte in uno strano libro con tante pagine bianche e poche scritte senza senso. Si tratta del Giramondo, un volume in grado di trasportare il lettore ovunque lo desideri. Il giovane non esita a “partire” per un’esotica meta, ma durante le sue scorribande il libro gli viene rubato da Jasper, che è in possesso di un volume che consente di viaggiare nel tempo. Grazie al sodalizio tra i due ragazzi, con due volumi i viaggi saranno ancora più avventurosi, e mistero e suggestione s’intrecceranno sul variopinto sfondo dell’India, tra animali mai visti prima e incontri inaspettati.