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Hold the glory—and infamy—of ancient Rome in the palm of your hand in this extraordinary and accessible story of history’s greatest superpower, as told through humanity’s most universal object: the coin. When Gareth Harney was first handed a Roman coin by his father as a child, he became entranced by its beauty, and its unique ability to connect us with the distant past. He soon learned that the Romans saw coins as far more than just currency—these were metal canvases on which they immortalized their sacred gods, mighty emperors, towering monuments, and brutal battles of conquest. Revealed in those intricate designs struck in gold, silver, and bronze was the epic story of the Roman Empire. Now, with his “novel and highly readable” (Philip Matyszak, author of The Blood-Red Sunset) voice and engaging research, Harney traces ancient Rome’s rise, from a few huts on an Italian hilltop to an all-conquering empire spanning three continents, through the fascinating lives of twelve remarkable coins. A unique and enthralling work of history for experts and casual history buffs.
The idea of the book “Science and Conservation for Museum Collections” was born as a result of the experience made by CNR-ISTEC (Faenza) in the implementation of a course for Syrian restorers at the National Museum in Damascus. The book takes into consideration archaeological artefacts made out of the most common materials, like stones (both natural and artificial), mosaics, ceramics, glass, metals, wood and textiles, together with less diffuse artefacts and materials, like clay tablets, goldsmith artefacts, icons, leather and skin objects, bones and ivory, coral and mother of pearl. Each type of material is treated from four different points of view: composition and processing technolog...
Introduction: imagining orchids -- Censored origins -- The lesbian boy -- The uses of orchids -- Red book, black flower -- Utopian botany -- The signature of all things -- The name of the orchid -- Making a family -- A second Adam -- Artificial to natural -- Myths of orchids -- Orchidmania -- The blooming aristocracy -- Orchis bank -- Every trifling detail -- Beautiful contrivances -- The scramble for orchids -- Lost orchids -- Cannibal tales -- Savage orchids -- Long purples and a forked radish -- Queer flowers -- Creation and consolation -- Sexy orchids -- Boy's own orchids -- Manly orchids -- Frail orchids -- Deceptive orchids -- Orchids in orbit -- Endangered orchids -- Fragile specialists -- The spider orchids of Sussex -- Conclusion: an orchid's-eye view?
Romantic Rome--the Eternal City in word and image, from Goethe and Byron to James, from etching and watercolor to photograph
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An innovative study of books and reading that focuses on papermaking in the Renaissance In The Nature of the Page, Joshua Calhoun tells the story of handmade paper in Renaissance England and beyond. For most of the history of printing, paper was made primarily from recycled rags, so this is a story about using old clothes to tell new stories, about plants used to make clothes, and about plants that frustrated papermakers' best attempts to replace scarce natural resources with abundant ones. Because plants, like humans, are susceptible to the ravages of time, it is also a story of corruption and the hope that we can preserve the things we love from decay. Combining environmental and bibliogra...