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Popular Culture in Early Modern Europe
The concept of cultural history has in the last few decades come to the fore of historical research into early modern Europe. Due in no small part to the pioneering work of Peter Burke, the tools of the cultural historian are now routinely brought to bear on every aspect of history, and have transformed our understanding of the past. First published in 1978 and now in its third edition, this study examines the broad sweep of pre-industrial Europe's popular culture. This new edition features a new introduction reflecting the growth of cultural history and an extensive supplementary bibliography which further adds to the information about new research in the area.
The Art of Executing Well
In Renaissance Italy a good execution was both public and peaceful—at least in the eyes of authorities. In a feature unique to Italy, the people who prepared a condemned man or woman spiritually and psychologically for execution were not priests or friars, but laymen. This volume includes some of the songs, stories, poems, and images that they used, together with first-person accounts and ballads describing particular executions. Leading scholars expand on these accounts explaining aspects of the theater, psychology, and politics of execution. The main text is a manual, translated in English for the first time, on how to comfort a man in his last hours before beheading or hanging. It becam...
Raffaele Pettazzoni and Herbert Jennings Rose, Correspondence 1927–1958
Raffaele Pettazzoni (1883–1959), Professor of the History of Religions at the University of Rome and one of the leading historians of religions in the twentieth century, maintained a long correspondence with Herbert Jennings Rose (1883–1961), the gifted Canadian scholar who was Professor of Greek at St Andrews and is best known for his work in the field of ancient religion and folklore. These letters, spanning the years 1927 to 1958, bear witness to the close relationship between the two scholars and focus on two of Pettazzoni’s books, both translated by Rose: Essays on the History of Religions (1954) and The All-Knowing God (1956). They also shed light on Pettazzoni’s initiative to the foundation of the journal NVMEN (1954), and reveal Rose’s brilliant personality.
Encyclopedia of Italian Literary Studies: A-J
Publisher description
The Art of Poverty
The Art of Poverty is the first book in English to analyze depictions of beggars in 16th-century European art. Featuring works from Germany, the Low Countries, Britain, France, and Italy, it discusses a diverse body of imagery from crude woodcuts to monumental church altarpieces. It argues that these works largely conformed to two paradoxical, though mutually supportive, representational approaches. The book tracks the emergence of a trenchantly negative approach in Northern art, in which beggars are shown as vagabonds, alongside the other predominant visual mode, where beggars are exalted as examples of sacred purity. The Art of Poverty's progressive approach and cross-disciplinary theme makes it vital reading for those concerned with the development of early modern European culture.
