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Dos estudos fundadores, preocupados com a questão da identidade nacional e com a sistematização da disciplina como ciência, até as tendências mais recentes de Sociologia brasileira, os depoimentos deste livro permitem acompanhar as trajetórias de 21 dos principais sociólogos de nosso país, como Florestan Fernandes, Octavio Ianni, Fernando Henrique Cardoso, Gabriel Cohn e José de Souza Martins, entre outros.
How Brazilian postwar avant-garde artists updated modernism in a way that was radically at odds with European and North American art historical narratives. Brazilian avant-garde artists of the postwar era worked from a fundamental but productive out-of-jointness. They were modernist but distant from modernism. Europeans and North Americans may feel a similar displacement when viewing Brazilian avant-garde art; the unexpected familiarity of the works serves to make them unfamiliar. In Constructing an Avant-Garde, Sérgio Martins seizes on this uncanny obliqueness and uses it as the basis for a reconfigured account of the history of Brazil’s avant-garde. His discussion covers not only widely...
Throughout the history of European modernism, philosophers and artists have been fascinated by madness. Something different happened in Brazil, however, with the “art of the insane” that flourished within the modernist movements there. From the 1920s to the 1960s, the direction and creation of art by the mentally ill was actively encouraged by prominent figures in both medicine and art criticism, which led to a much wider appreciation among the curators of major institutions of modern art in Brazil, where pieces are included in important exhibitions and collections. Kaira M. Cabañas shows that at the center of this advocacy stood such significant proponents as psychiatrists Osório Cés...
This book introduces the life and work of Darcy Ribeiro (1922–1997), one of the foremost exponents of Brazilian/Latin American Social thought in the 20th century. Ribeiro was an anthropologist, indigenist ethnographer, social scientist, and planner and creator of universities and schools and held various political offices. This book examines Ribeiro’s work in conversation with other great names of Latin American critical thought and introduces the contemporary epistemological movement he inspired, ‘Modernity-Coloniality-Decoloniality’. It presents the 12 years of Latin American exile to which he was subjected in the 1960s to 1970s, highlighting the fame he gained as a reformer of universities on the continent. Finally, the book builds two new dialogues unheard of, one with Black Brazilian intellectuals and the other with contemporary post(de) colonial studies. This book will appeal to all those interested in studying global asymmetries, social inequalities, and obstacles to development in Latin America. Scholars and students of Sociology, Social Theory, Anthropology, Latin American Studies, Political History, and Education will find it useful.
In this history of black thought and racial activism in twentieth-century Brazil, Paulina Alberto demonstrates that black intellectuals, and not just elite white Brazilians, shaped discourses about race relations and the cultural and political terms of in
Circa 1960, artists working at the margins of the international art world breached the frame of canvas painting and ruptured the institutional frame of art. Members of the Brazilian Neoconcrete group, such as HŽlio Oiticica and Lygia Clark, and their counterparts in Japan, such as Akasegawa Genpei and the Kansai-based Gutai Art Association, challenged the boundaries between art and non-art, between fiction and reality, between visual artwork and its discursive frame. In place of the indefinitely deferred promise of a revolution of the senses, artists called for Òdirect actionÓ here and now. Pedro Erber situates the beginnings of these profound transformations of art in the politically cha...
The Cold War in the Third World explores the complex interrelationships between the Soviet-American struggle for global preeminence and the rise of the Third World. Those two distinct but overlapping phenomena placed a powerful stamp on world history throughout the second half of the twentieth century. Featuring original essays by twelve leading scholars, this collection examines the influence of the newly emerging states of the Third World on the course of the Cold War and on the international behavior and priorities of the two superpowers. It also analyzes the impact of the Cold War on the developing states and societies of Asia, Africa, the Middle East, and Latin America. Blending the new, internationalist approaches to the Cold War with the latest research on the global south in a tumultuous era of decolonization and state-building, The Cold War in the Third World bring together diverse strands of scholarship to address some of the most compelling issues in modern world history.
How race quotas--and their public perception--reflect Brazil's complicated history with racial injustice
"The 1950s and early 1960s in Brazil gave birth to a period of incredible optimism and economic development. In The Affinity of Neoconcretism, Mariola V. Alvarez argues that the neoconcretists--a group of artists and poets working together in Rio de Janeiro from 1959 to 1961--formed an important part of this national transformation. She maps the interactions of the neoconcretists and discusses how this network collaborated to challenge existing divides between high and low art and between fields such as fine art and dance. This book reveals the way in which art and intellectual work in Brazil emerged from and within a local political and social context, and out of the transnational movements of artists, artworks, published materials, and ideas"--
Imagining Brazil provides a comprehensive and multifaceted picture of Brazil in the age of globalization. Privileging diversity in relation to the authors as well as the manner in which Brazil is perceived, JessZ Souza and Valter Sinder have assembled historians, political scientists, sociologists, literary critics, and scholars of culture in an attempt to understand a complex society in all its richness and diversity. Rising from one of the worldOs poorest societies in the 1930s to the eighth largest world economy in the 1980s, Brazil is used as an example of globalizationOs impact on peripheral societies, exploring in new contexts the serious social problems that have always characterized this society. Imagining Brazil explores the connections between society and politics and culture and literature, creating an encompassing volume of interest to scholars of Latin American studies as well as those interested in how globalization impacts the varied aspects of a country.