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Spanish and Portuguese Conflict in the Spice Islands: The Loaysa Expedition to the Moluccas 1525-1535
Gonzalo Fernández de Oviedo y Valdés, (1478–1557), warden of the fortress and port of Santo Domingo of the Island of Hispaniola, also served his emperor, Charles V, as the official chronicler of the first half-century of the Spanish presence in the New World. His monumental General y Natural Historia de las Indias, consisting of three parts, with fifty books, hundreds of chapters and thousands of pages, is still a major primary source for researchers of the period 1492–1548. Part One, consisting of 19 books, was first published in 1535, then reprinted and augmented in 1547, with a third edition, including Book XX, the first book of Part II, appearing in Valladolid in 1557. Book XX, whi...
The Criminal Baroque
TEMPORARY Bergman looks at the representation of criminals in early modern Spanish theatre and the connection between criminality, the portrayal of criminal heroes on stage, and public displays of law enforcement within and outside the playhouse. His main purpose is to see to how Baroque spectacle (a term of art in theatre that refers to a particular event, often in expressions of popular culture) appears either to align itself, work against, or be independent of the social means of control of the day. His main argument is that that the propaganda power of early modern Spanish spectacle has been vastly overstated. Ted L. L. Bergman is a Lecturer in Spanish, University of St Andrews.
Souls in Dispute
Throughout the Middle Ages, the Iberian Peninsula was home to a rich cultural mix of Christians, Jews, and Muslims. At the end of the fifteenth century, however, the last Islamic stronghold fell, and Jews were forced either to convert to Christianity or to face expulsion. Thousands left for other parts of Europe and Asia, eventually establishing Sephardic communities in Amsterdam, Venice, Istanbul, southwestern France, and elsewhere. More than a hundred years after the expulsion, some Judeoconversos—descendants of Spanish and Portuguese Jews who had converted to Christianity—were forced to flee the Iberian Peninsula once again to avoid ethnic and religious persecution. Many of them joine...
Crosscurrents
The term "crosscurrents" seems especially fitting for a volume of essays that explores the cultural exchanges that resulted from the encounter between Spain and the New World. The nautical metaphor alludes to the actual crossing of ships that occurred during the discovery, conquest, and colonization of the Americas by the Spanish as it emphasizes the changes that occurred at these cultural intersections.
The Ambivalence of Imperial Discourse
A new reading of Miguel de Cervantes' play 'La Destrucción de Numancia' (c. 1583), analysing the work in relation to theories of empire in 16th century Spain, in the context of plays written immediately before the rise in popularity of Lope de Vega and the comedia nueva, and the playwright's innovative use of dramatic techniques.
Marriage and Sexuality in Medieval and Early Modern Iberia
This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.
The Persistence of Presence
The Persistence of Presence analyzes the relationship between emblem books, containing combinations of pictures and texts, and Spanish literature in the early modern period. As representations of ideas and ideals, emblems are allegories produced in a particular place and time, and their study can shed light on the central cultural and political activities of an era. Bradley J. Nelson argues that the emblem was a primary indicator of the social and political functions of diverse literary practices in early modern Spain, from theatre to epic prose. Furthermore, the disintegration of a unified medieval world view left many seeking the kinds of deep knowledge that could be accessed through symbolic pictures, increasing their cultural significance. In this detailed examination of emblem books, sacred and secular theatre, and Cervantes' critique of baroque allegory in Los trabajos de Persiles y Sigismunda, Nelson connects the early history of emblematics with the drive towards cultural and political hegemony in Counter-Reformation Spain.
Science on Stage in Early Modern Spain
Science on Stage in Early Modern Spain features essays by leading scholars in the fields of literary studies and the history of science, exploring the relationship between technical innovations and theatrical events that incorporated scientific content into dramatic productions. Focusing on Spanish dramas between 1500 and 1700, through the birth and development of its playhouses and coliseums and the phenomenal success of its major writers, this collection addresses a unique phenomenon through the most popular, versatile, and generous medium of the time. The contributors tackle subjects and disciplines as diverse as alchemy, optics, astronomy, acoustics, geometry, mechanics, and mathematics to reveal how theatre could be used to deploy scientific knowledge. While Science on Stage contributes to cultural and performance studies it also engages with issues of censorship, the effect of the Spanish Inquisition on the circulation of ideas, and the influence of the Eastern traditions in Spain.
Fatal Union
The Spanish wife-murder comedias constitute an important category of seventeenth-century peninsular plays. Fatal Union considers thirty-one comedias by fifteen authors to show that they present anything but a unified perspective.
Discourses of Empire
The counter-epic is a literary style that developed in reaction to imperialist epic conventions as a means of scrutinizing the consequences of foreign conquest of dominated peoples. It also functioned as a transitional literary form, a bridge between epic narratives of military heroics and novelistic narratives of commercial success. In Discourses of Empire, Barbara Simerka examines the representation of militant Christian imperialism in early modern Spanish literature by focusing on this counter-epic discourse. Simerka is drawn to literary texts that questioned or challenged the imperial project of the Hapsburg monarchy in northern Europe and the New World. She notes the variety of critical...
