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A unique global, cultural history through five thousand years of ceramic forms.
"The work features over 280 works by more than 170 Australian artists drawn from a period of acquisitions which began with the consitution of the MCA in May 1989."--p. 17.
The Semiotics of Movement in Space explores how people move through buildings and interact with objects in space. Focusing on visitors to the Museum of Contemporary Art in Sydney, McMurtrie analyses and interprets movement and space relations to highlight new developments and applications of spatial semiotics as he proposes that people’s movement options have the potential to transform the meaning of a particular space. He illustrates people’s interaction with microcamera footage of people’s movement through the museum from a first-person point of view, thereby providing an alternative, complementary perspective on how buildings are actually used. The book offers effective tools for pr...
From intergalactic travel to the daily commute, enter this book and be transported to wonderful worlds where art and life intertwine and your ideas of both are upended. Chloe Watfern, a writer, transdisciplinary researcher, and maker, joined two world-leading supported studios to learn about the work of their vibrant collectives of neurodiverse artists. At Studio A, Thom Roberts paints, photocopies, animates, and performs, inviting us to understand people as trains and trains as people (among other things). Skye-Fox, a.k.a. Katerina the Steampunk Ringmaster, a.k.a. Skye Saxon, creates interconnected universes through soft sculpture, drawing, and storytelling. Lisa Tindall writes her life bre...
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Die antike römische Portlandvase aus Überfangglas gehört zu den Schätzen des Britischen Museums und ist zugleich eine globale »Marke«, die seit Jahrhunderten bei Kunsthandwerker:innen, Sammler:innen und Käufer:innen hoch im Kurs steht und unzählige Male kopiert und neu interpretiert wurde. Der Band geht der spannenden Frage nach, warum und auf welche Weise die einmalige antike Vase über Zeit und Raum hinweg zur legendären künstlerischen und kommerziellen Muse oder, wie man heute sagen würde, »Influencerin« für Kunstschaffende wie Josiah Wedgwood, Viola Frey, Chris Wight, Michael Eden, Nicole Cherubini, Clare Twomey und Roberto Lugo wurde. Anhand von mehr als 65 Werken und reich bebildert wird die Rolle von Marken in unserer Kultur untersucht und erklärt, warum klassische Traditionen den künstlerischen Kanon dominieren und wie diese Traditionen neu gedacht und revolutioniert werden können.
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