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This is the story of Glenn Hinson's life - A Miracle of Grace - "for I stand with mouth agape as I look back from where I am at age eighty toward where my story began." With degrees from some of the world's most noted, Hinson has taught in some of America's most distinguished educational institutions, and has played a modest role in some of the most momentous ecumenical developments in Christian history since the Reformation of the sixteenth century.
The central thesis of this book is that Baptists should recover the contemplative tradition with which they began in the early seventeenth century and to teach others how to live contemplatively in an age and culture far removed from contemplation. Through our four centuries, especially in America, cultural experience has reshaped and is reshaping our spirituality and worship in ways whereby God ends up as the one we expect to serve our programs and whims rather than the one we serve.
This collection of essays by different authors is presented as a tribute to Walter B. "Buddy" Shurden, (distinctively Baptist) church historian, teacher, preacher, author, Baptist apologist extraordinaire. The rationale of this celebration of the lifework and influence of Walter Shurden is well stated, for example, in editor Marc Jolley's preface: "[D]uring some of the initial forays of our most-recent and ongoing Fundamentalist-Moderate controversy, there were days when I thought about changing denominations. Shurden's works were instrumental in my remaining a Baptist, not because I could see how Baptists had always had controversies and survived--although that is true--but because he helpe...
Glenn Hinson focuses on a single gospel program and offers a major contribution to our understanding not just of gospel but of the nature of religious experience. A key feature of African American performance is the layering of performative voices and the constant shifting of performative focus. To capture this layering, Hinson demonstrates how all the parts of the gospel program work together to shape a single whole, joining speech and song, performer and audience, testimony, prayer, preaching, and singing into a seamless and multifaceted service of worship. Personal stories ground the discussion at every turn, while experiential testimony fuels the unfolding arguments. Fire in My Bones is an original exploration of experience and belief in a community of African American Christians, but it is also an exploration of African American aesthetics, the study of belief, and the ethnographic enterprise.
How can we grow closer to God? Is there a secret to spiritual life? Do we need a second blessing? Is sanctification instantaneous or is it a process? The nature of Christian spirituality has been widely debated throughout the history of the church. Donald L. Alexander brings together five scholars in a fascinating debate on sanctification and spirituality.
Weaver has retrieved from obscurity the rich treasures of Christian tradition from the 1st through 20th centuries and made them meaningfully accessible for preachers, teachers, worship and study leaders, students, devotional readers, and persons interested in the history of the church.
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Habits of Industry provides a richly descriptive social, historical, and cultural account of the Carolina Piedmont_the area between the Blue Ridge Mountains and the Coastal Plain_over the course of 150 years. By examining the social and religious c
Thornton Dial (1928-2016), one of the most important artists in the American South, came to prominence in the late 1980s and was celebrated internationally for his large construction pieces and mixed-media paintings. It was only later, in response to a reviewer's negative comment on his artistic ability, that he began to work on paper. And it was not until recently that these drawings have received the acclaim they deserve. This volume, edited by Bernard L. Herman, offers the first sustained critical attention to Dial's works on paper. Concentrating on Dial's early drawings, the contributors examine Dial's use of line and color and his recurrent themes of love, lust, and faith. They also discuss the artist's sense of place and history, relate his drawings to his larger works, and explore how his drawing has evolved since its emergence in the early 1990s. Together, the essays investigate questions of creativity and commentary in the work of African American artists and contextualize Dial's works on paper in the body of American art. The contributors are Cara Zimmerman, Bernard Herman, Glenn Hinson, Juan Logan, and Colin Rhodes.