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MOCA Focus
Essay by Gloria Sutton. Interview by Gabriel Ritter.
The Experience Machine
An argument that the collaborative multimedia projects produced by Stan VanDerBeek in the 1960s and 1970s anticipate contemporary new media and participatory art practices. In 1965, the experimental filmmaker Stan VanDerBeek (1927–1984) unveiled his Movie-Drome, made from the repurposed top of a grain silo. VanDerBeek envisioned Movie-Drome as the prototype for a communications system—a global network of Movie-Dromes linked to orbiting satellites that would store and transmit images. With networked two-way communication, Movie-Dromes were meant to ameliorate technology's alienating impulse. In The Experience Machine, Gloria Sutton views VanDerBeek—known mostly for his experimental anim...
Channels of Verse
None
Ecstasy
Published to accompany the exhibition held at Museum of Contemporary Art, Los Angeles, 9 October 2005 - 20 February 2006.
Paul Sietsema: Figure 3
Paul Sietsema makes things, then films them in order both to see them more clearly and to render them more abstract. This book contains stills from his 16mm film "Figure 3", and interview with the artists, plus plates of his work overlaying newspaper cuttings with ink or paint.
Through the Looking Glass
Through the Looking Glass examines John Cage's interactions and collaborations with avant-garde and experimental filmmakers, and in turn seeks out the implications of the audiovisual experience for the overall aesthetic surrounding Cage's career. As the commercially dominant media form in the twentieth century, cinema transformed the way listeners were introduced to and consumed music. Cage's quest to redefine music, intentionality, and expression reflect the similar transformation of music within the larger audiovisual experience of sound film. This volume examines key moments in Cage's career where cinema either informed or transformed his position on the nature of sound, music, expression, and the ontology of the musical artwork. The examples point to moments of rupture within Cage's own consideration of the musical artwork, pointing to newfound collision points that have a significant and heretofore unacknowledged role in Cage's notions of the audiovisual experience and the medium-specific ontology of a work of art.
Blizzard in the Bluegrass
Gloria's son is lost in the Christmas blizzard. Will she and Jeff find him in time? Or will the season of joy turn into a tragedy? Despite an ex-husband who abandoned them in the wake of their son's autism diagnosis, GLORIA SUTTON has her life under control. She has a successful large animal veterinary practice in small town Charula, Kentucky, shuttles her son Noah to all of his needed therapies, and volunteers with the children at her church. Everything runs as smoothly as possible, even if at times she finds herself overwhelmed in the parenting alone department. Eight-year-old boys provide their own kind of unique challenges, and when you throw in a special needs, the whole single parentin...
Live Form
Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others.
The Place Economy - Volume 3
As a project undertaken before, during and in the aftermath of a global pandemic, The Place Economy Volume 3 represents an increased appreciation of our need as humans for place and community. Spanning 80-plus stories, featuring the work of more than 100 global experts, you will find a celebration of the people, places and ideas that make cities great, alongside close examination of the barriers and challenges still facing communities in Australia and abroad. As with Volume 1 and 2, every story here presents compelling evidence of the better return on investment that occurs for developers and communities alike when insightful placemaking underpins a vision.
