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In the early part of the twentieth century, migrants made their way from rural homes to cities in record numbers and many traveled west. Los Angeles became a destination. Women flocked to the growing town to join the film industry as workers and spectators, creating a “New Woman.” Their efforts transformed filmmaking from a marginal business to a cosmopolitan, glamorous, and bohemian one. By 1920, Los Angeles had become the only western city where women outnumbered men. In Go West, Young Women, Hilary A. Hallett explores these relatively unknown new western women and their role in the development of Los Angeles and the nascent film industry. From Mary Pickford’s rise to become perhaps the most powerful woman of her age, to the racist moral panics of the post–World War I years that culminated in Hollywood’s first sex scandal, Hallett describes how the path through early Hollywood presaged the struggles over modern gender roles that animated the century to come.
Economists have rightly been criticized for not having foreseen the crisis that exploded in 2007–2008. As Giancarlo Bertocco eloquently argues, responsibility does indeed rest heavily on their shoulders. By developing a theory which excluded the possibility that a catastrophic crisis could ever happen, the economics profession has justified decisions and behaviours that caused the Great Recession. This book presents an alternative theoretical approach built on the lessons of Marx, Keynes, Schumpeter, Kalecki, Kaldor and Minsky, which highlights the structural instability of a capitalist economy and the endogenous nature of the current crisis.
The execution of British matron Edith Cavell by occupying German forces was portrayed by the allies as one of the key atrocities of the Great War. This book recovers and interprets the worldwide reaction to Cavell's death, exploring its contextual relationship within imperial and international history, as well women's history and gender history.
In the wake of inadequate histories of radical writing and activism, Nancy Cunard: Perfect Stranger rejects stereotypes of Cunard as spoiled heiress and “sexually dangerous New Woman,” offering instead a bold, unapologetic, evidence-based portrait of a woman and her significant contributions to 21st century considerations of gender, race, and class.
The Fairy tales that abound in the Principality have much in common with like legends in other countries. This points to a common origin of all such tales. There is a real and unreal, a mythical and a material aspect to Fairy Folk-Lore. The prevalence, the obscurity, and the different versions of the same Fairy tale show that their origin dates from remote antiquity. The supernatural and the natural are strangely blended together in these legends, and this also points to their great age, and intimates that these wild and imaginative Fairy narratives had some historical foundation. If carefully sifted, these legends will yield a fruitful harvest of ancient thoughts and facts connected with th...