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Nikolai Gogol was one of the great geniuses of nineteenth century Russian literature, with a command of the irrational unmatched by any writer before or since. His strange tales, though often read as forceful demands for social change, were displays of the fantasies of the human spirit. In this ideal marriage of subject and critic, Nabokov analyses his endlessly inventive compatriot, focusing on the masterpieces Dead Souls, 'The Overcoat' and 'The Government Inspector'. Misunderstood by his contemporaries, mishandled by theatre directors and ending his life mistreated by doctors - with medicinal leeches hanging from his exceptional nose - it took Nabokov to give Gogol, 'the oddest Russian in Russia', the critical biography he and his singular, brilliant work deserve.
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Russian culture and Slavic Studies maintain that Gogol is an incontrovertible Russian writer. To call him a Ukrainian is to encounter deep skepticism. Oddly, the grounds of his "Russianness" are rarely made explicit and even less often examined critically. This book address these problems. It shows, for example, how scholars assume that language and theme make Gogol Russian. How others call him Russian by denying Ukrainians status as a separate nation, while still others avoid explanations altogether by representing him as a typical Russian in a national culture and literature. This book challenges such paradigms, situating Gogol within an "imperial culture," where Russian and Ukrainian elit...
This is a new translation from the original Russian manuscript of Gogol's work "Nights at the Villa". This edition contains an Afterword by the Translator, a timeline of Gogol's life and works and an Index of Gogol's individual works. “Nights at the Villa” is a thoroughly autobiographical work. The “Villa” is referring to the Roman country villa of Princess Z. Volkonskaya , where in April - May 1839 the twenty-three-year-old count died of consumption IVielgorsky, who had recently arrived in Rome, in the retinue of the heir, together with A. Tolstoy and Zhukovsky Vielgorsky. His dying, attractive character and dying friendship with Gogol, who looked after him, found a response both in memoirs and in epistolary literature - in letters, including from Gogol himself.
This two-volume edition at last brings all of Gogol's fiction (except his novel Dead Souls) together in paperback. Volume one includes Evenings on a Farm near Dikanka, as well as 'Nevsky Prospekt' and 'Diary of a Madman'.
This is a new translation from the original Russian manuscript of Gogol's classic "Christmas Eve", also translated as "the Night before Christmas". This edition contains an Afterword by the Translator, a timeline of Gogol's life and works and an Index of Gogol's individual works. Set on Christmas Eve, this tale involves witches, the devil, and various romantic entanglements, reflecting Gogol's fascination with folklore and the mystical. Set during the reign of Catherine II, the story unfolds in the Ukrainian village of Dikanka. The devil, bearing a grudge against the blacksmith Vakula for depicting him in a church painting, decides to hide the moon, thinking it would hinder the evening plans...
The works of Gogol are compiled here with a biography about his life and times. Works include: The Calash The Cloak Dead Souls The Inspector-General The Mantle A May Night Memoirs of a Madman The Mysterious Portrait The Nose St. John’s Eve The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich Taras Bulba The Viy
A new translation of stories by a 19th century Russian master. One story is on a madman convinced that a dog can tell him everything he needs to know, another is on a downtrodden clerk whose life is changed by a new overcoat.
Nikolai Gogol is considered the father of Russian realism. He has influenced thousands of writers--but who influenced him? Read about his life in this eBook.
Nikolai Gogol, Russia's greatest comic writer, is a literary enigma. His masterworks--"The Nose," "The Overcoat," The Inspector General, Dead Souls--have attracted contradictory labels over the years, even as the originality of his achievement continues to defy exact explanation. Donald Fanger's superb new book begins by considering why this should be so, and goes onto survey what Gogol created, step by step: an extraordinary body of writing, a model for the writer in Russian society, a textual identity that eclipses his scanty biography, and a kind of fiction unique in its time. Drawing on a wealth of contemporary sources, as well as on everything Gogol wrote, including journal articles, le...