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London Goldsmiths 1697-1837
This guide provides an alphabetically arranged list of all known makers' marks from the commencement of the registers at Goldsmiths' Hall in 1697 down to 1837. 3473 marks are reproduced from the actual registers and a further 441 from a variety of other sources.
Stuart Hall
None
Ultra Vanities
A lush book of photos shines a light on the luxurious bejeweled make-up boxes that quickly became covetable accessories with the advent of beauty products Exquisite jeweled minaudieres, necessaires, and compacts from the l8th to the 21st centuries are photographed and displayed here in great detail and set within the social and fashion contexts of their creation. Original archive photographs showcase the social leaders, stage and cinema stars, and fashion leaders who carried these exquisite little accessories as indispensable adjuncts to their glamorous lives. These triumphs of the jewelers art were designed to rest glittering on cocktail bars and grand dining tables. They were tiny but also extremely useful as is revealed in detailed photos of their highly engineered interiors. These little boxes were capable of carrying everything a woman might need during the course of an evening which might start at the Ritz and end at Bricktops Jazz Club--everything from a lipstick, to a powder compact, to a comb, even a cigarette and lighter, hence their generic name of necessaire.
English Goldsmiths and Their Marks
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.
Gilda Aurifabrorum
None
Stuart Devlin
This book gives an idea of Stuart Devlin's extraordinary creativity, his skill, and the beauty of his work. It comprises over 500 pages with hundreds of images of Devlin's gold, silver and coins as well as his jewellery, sculpture and furniture. Many collectors will recognise pieces that they originally commissioned or have bought. Also shown are numerous sketches and working drawings. The short sections of text include concise captions and reviews from primary sources. Although it has been impossible to encompass everything ever designed or produced by Devlin, the book highlights how remarkable it is that this wealth of ideas was conceived by just one man. Stuart Devlin was a pioneer goldsmith who rejected the anonymity of corporate design during the 1960s.
London Goldsmiths
None
