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London Goldsmiths 1697-1837
This guide provides an alphabetically arranged list of all known makers' marks from the commencement of the registers at Goldsmiths' Hall in 1697 down to 1837. 3473 marks are reproduced from the actual registers and a further 441 from a variety of other sources.
Geometry and the Silversmith
Using an important collection, the author charts the use of geometric shapes in English silver, as well as Asian influences, during two centuries, 1630-1830.
The Baruch Collection
Features 150 photographs, fully annotated catalog entries, and an interpretive essay on the Baruch family and their collection.
English, Irish, & Scottish Silver at the Sterling and Francine Clark Art Institute
In this stunning catalog, Wees, curator of decorative arts at the Clark Art Institute, shares her extensive knowledge of silver. Robert Sterling Clark, who established the Art Institute in 1955, preferred Huguenot silver? especially that of Paul de Lamerie? so his collection, which contains typical objects from the early 16th to the mid-20th centuries, is especially rich in 18th-century examples. Wees arranges this collection according to general function ("Dining," "Lighting," etc.) and prefaces each chapter with exhaustively footnoted essays. She accompanies each item with crisp black-and-white photographs, a wealth of description, and helpful commentary. Analogous to Kathryn Buhler's standard catalog of American silver in Boston's Museum of Fine Arts, this is a wonderful tool for researching makers and hallmarks, comparing stylistic elements, or just marveling at the beauty of an extraordinary collection. While not intended to be a historical compendium, this informative, visual feast belongs in all silver reference collections and will also certainly appeal to individual collectors. 19 colour & 1,222 b/w illustrations
British and Irish Silver in the Fogg Art Museum, Harvard University Art Museums
"The collection presents a wide-ranging survey of the evolution of styles and decoration from 1550 to 1850. The contributions made by foreign craftsmen to silver produced in London in the seventeenth and eighteenth centuries are discussed, as is the distinctive silverware made in Dublin and Edinburgh, and in English provincial centers such as Exeter and Newcastle. This catalogue also paints a vivid portrait of collecting decorative arts in America during the last hundred years."--BOOK JACKET.
Seeing Beyond the Word
This collection of essays seeks to redefine the discussion of Calvinism's impact on the visual arts through an exploration of Reformed artistic influences in England, France, Switzerland, Germany, Hungary, the Netherlands, and America. 200+ illustrations, many in color.
A Storied Past: Collections of the Historic Odessa
A Storied Past: Collections of the Historic Odessa captures the historical character and significance of two important late-18th-century houses, each of which retains a high percentage of original furnishings and locally made objects. Over the past several years, the collections have undergone careful examination and interpretation. One hundred are published along with four interpretive chapters. Relatively few historic sites have received this level of investigative treatment. Additionally, several of the hitherto-unpublished objects relate to others already in the decorative and fine arts lexicon. Using rich archival and genealogical sources, Philip D. Zimmerman brings to light here for th...
Kingdom of the Mind
Many Canadians with a Scottish background still feel the pull of their Gaelic origins. During the eighteenth and nineteenth centuries Scots dominated Montreal and, by extension, the rest of the country. Their habits and attitudes influenced business, education, science and medicine, the military, and even the way Canadians imagined themselves.
Products, Users, and Popular Luxury in Early Modern Greece
This book analyses aspects of the material culture of early modern Greece from an object-based perspective, using surviving artefacts from that period as primary sources. A printed book, a wine jug, an ecclesiastical embroidery, and a pocket watch are used as entry points to examine the consumer practices of the emerging Greek bourgeoisie under Ottoman rule in the long eighteenth century. The acquisition and usage of novel products – especially imported ones – by Greeks was connected to personal expression, identity building, and self-determination in the context of the Enlightenment. The enjoyment of innovative artefacts opened new horizons to them and facilitated their individual and c...
