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Reveals select post-Yugoslav literary and cinema works as groundbreaking exploratory achievements of global relevance.
By conducting imagined dialogues between selected literary works - Eastern European on one hand, American and English on the other - this book proposes an effective way of reading literature, one that goes beyond the narrowing categories of contemporary critical trends.
Czechoslovakia, Yugoslavia-no longer on the map. East Europe of the socialist period may seem like a historical oddity, apparently so different from everything before and after. Yet the masterpieces of literature and cinema from this largely forgotten Second World, as well as by the authors formed in it and working in its aftermath, surprise and delight with their contemporary resonance. This book introduces and illuminates a number of these works. It explores how their aesthetic ingenuity discovers ways of engaging existential and universal predicaments, such as how one may survive in the world of victimizations, or imagine a good city, or broach the human boundaries to live as a plant. Like true classics of world art, these novels, stories, and films-to rephrase Bohumil Hrabal-keep telling us things about ourselves we don't know. In lively and jargon-free prose, Gordana P. Crnkovic builds on her rich teaching experience to create paths to these works and reveal how they changed lives.
This book enriches our views on representation and deepens our understanding of its different aspects. It arises out of several years of dialog between the editors and the authors, an interdisciplinary team of highly experienced researchers, and it reflects the best contemporary view of representation and reality in humans, other living beings, and intelligent machines. Structured into parts on the cognitive, computational, natural sciences, philosophical, logical, and machine perspectives, a theme of the field and the book is building and presenting networks, and the editors hope that the contributed chapters will spur understanding and collaboration between researchers in domains such as computer science, philosophy, logic, systems theory, engineering, psychology, sociology, anthropology, neuroscience, linguistics, and synthetic biology.
Observing European debates about EuroDisney, McDonald's, Hollywood films and television programs, and other vehicles of alleged 'Americanization,' one might imagine that Europe was in serious risk of losing its distinct cultural identity in the melting pot of American pop culture. The loaded charge of 'kitsch' is a central aspect of the debate, with Disney stories, for example, branded as simplified travesties of authentic European folk tales. But the relationship between European and American popular cultures is vastly more complex. Reciprocal and interactive, it is a relationship in which the European-American partnership (for example, in cinematic ventures) has become quite common. And again, artifacts which have a certain meaning and reception in America may have a completely different meaning and reception in Europe; in effect behaving as different artifacts altogether. And finally, as this book shows, American cultural influences have penetrated not only the popular realms of European television, fashions, fast food, and rock music, but also such domains as youth organizations, literature, UFO culture, and religious faith.
The proliferation of images of law, legal processes, and officials on television and in film is a phenomenon of enormous significance. Mass-mediated images are as powerful, pervasive, and important as are other early twenty-first-century social forces--e.g. globalization, neo-colonialism, and human rights--in shaping and transforming legal life. Yet scholars have only recently begun to examine how law works in this new arena and to explore the consequences of the representation of law in the moving image. Law on the Screen advances our understanding of the connection between law and film by analyzing them as narrative forms, examining film for its jurisprudential content--that is, its ways of critiquing the present legal world and imagining an alternative one--and expanding studies of the representation of law in film to include questions of reception.
Moving Pictures, Still Lives revisits the cinematic and intellectual atmosphere of the late twentieth century. Against the backdrop of the historical fever of the 1980s and 1990s-the rise of the heritage industry, a global museum-building boom, and a cinematic fascination with costume dramas and literary adaptations-it explores the work of artists and philosophers who complicated the usual association between tradition and the past or modernity and the future. Author James Tweedie retraces the "archaeomodern turn" in films and theory that framed the past as a repository of abandoned but potentially transformative experiments. He examines late twentieth-century filmmakers who were inspired by...
DIVTheorizes the emerging field at the intersection of law and film through a detailed, feminist analysis of masterpiece films about law from around the world./div
The early 1980s brought dramatic changes in East-West relations. The decade began with the death of Yugoslavia's Tito, the birth of Poland's Solidarity trade union, and the U.S. election of Ronald Reagan as president. These key developments, together with the growing financial insolvency of the Soviet bloc and shifts in power in the Kremlin—culminating in the election of Mikhail Gorbachev as general secretary of the Communist Party of the Soviet Union in 1985—signalled the end of an era. Since then, U.S. relations with Europe have charted a new course, influenced especially by the dissolution of the Warsaw Pact, the expansion of NATO, and the growing strength of the European Union. This volume analyzes U.S. relations with Britain, France, Germany, Spain, Russia, Poland, and Ukraine, and examines the new role for NATO in the post-Cold War world and the evolving dynamics in the U.S.-EU partnership. Through their assessment of mutual perceptions, evolving interests, and clashing agendas, the contributors offer a fresh and thoughtful exploration of the relationship between the United States and the major European states.
With the fall of communism and the breakup of Yugoslavia, the successor states have faced a historic challenge to create separate, modern democracies from the ashes of the former authoritarian state. Central to the Croatian experience has been the issue of nationalism and whether the Croatian state should be defined as a citizens' state (with members of all nationality groups treated as equal) or as a national state of the Croats (with a consequent privileging of Croatian culture and language, but also with a quota system for members of national minorities). Sabrina P. Ramet and Davorka Mati ́c have gathered here a series of studies by important scholars to examine the development of Croati...