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"In the face of a changing social landscape in their rapidly growing nineteenth-century capital, Russian monarchs reoriented their display of imperial and national representation away from courtiers and toward the urban public. When attacked at mid-century, monarchs retreated from the palace. As they receded, the public claimed the square and the artistic treasures in the Imperial Hermitage before claiming the palace itself. By 1917, the Winter Palace had come to be the essential stage for representing not just monarchy, but the civic life of the empire-nation. What was cataclysmic for the monarchy presented to those who staffed the palace and Hermitage not a disaster, but a new mission, as a public space created jointly by monarch and city passed from the one to the other. This insightful study will appeal to scholars of Russia and general readers interested in Russian history."--Amazon.
Catalog of an exhibition held at the Metropolitan Museum of Art from March 26, 1988 to June 5, 1988, and at the Art Institute of Chicago, from Jul. 9, 1988, to Sept. 18, 1988./ Includes bibliographical references (p. 125-134).
This is a comprehensive directory and bibliographic guide to Russian archives and manuscript repositories in the capital cities of Moscow and St. Petersburg. It is an essential resource for any researcher interested in Russian sources for topics in diplomatic, military, and church history; art; dance; film; literature; science; ethnolography; and geography. The first part lists general bibliographies of relevant reference literature, directories, bibliographic works, and specialized subject-related sources. In the following sections of the directory, archival listings are grouped in institutional categories. Coverage includes federal, ministerial, agency, presidential, local, university, Academy of Sciences, organizational, library, and museum holdings. Individual entries include the name of the repository (in Russian and English), basic information on location, staffing, institutional history, holdings, access, and finding aids. More comprehensive and up-to-date than the 1997 Russian Version, this edition includes Web-site information, dozens of additional repositories, several hundred more bibliographical entries, coverage of reorganization issues, four indexes, and a glossary.
The J. Paul Getty Museum is known as one of the most informative art museums in the world. Ever since its opening, the museum has inspired curiosity, enjoyment, and understanding of the visual arts. People from all over the world visit this museum to see paintings, drawings, sculptures, and photographs from Europe, Asia, and the Americas. Discover more about this incredible museum and its collections in The J. Paul Getty Museum, a Museums of the World book.
"The Collections of the Romanovs celebrates the 300th anniversary of the founding of St. Petersburg by exploring the role of the Romanov dynasty as collectors of fine and decorative arts. The book investigates in particular the historic role of St. Petersburg as Russia's window to the West, and features the great masterworks of Western European art collected and prized by Romanov tsars, from Peter the Great (who ruled from 1721-25) to the last of the dynasty, Nicholas II (who ruled from 1874-1918). Included are masterpieces of painting, drawing, printmaking, porcelain, silver, and tapestry over one hundred works in all, drawn exclusively from the extraordinary collection of the State Hermitage Museum in St. Petersburg."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This book examines Russian genre painting in the first three quarters of the nineteenth century. It focuses on five major artists who made significant contributions to Russian intellectual life: Venetsianov, Bryullov, Ivanov, Fedotov, and Perov.
From the royal pew of Ivan the Terrible, to Catherine the Great's use of landscape, to the struggles between the Orthodox Church and preservationists in post-Soviet Yaroslavl—across five centuries of Russian history, Russian leaders have used architecture to project unity, identity, and power. Church architecture has inspired national cohesion and justified political control while representing the claims of religion in brick, wood, and stone. The architectural vocabulary of the Soviet state celebrated industrialization, mechanization, and communal life. Buildings and landscapes have expressed utopian urges as well as lofty spiritual goals. Country houses and memorials have encoded their ow...
This volume deals with the classical archaeology of the northern Black Sea littoral, discussing excavations and studies conducted by Russian, Ukrainian, German, Czech and British archaeologists and classicists over the last 10-12 years. It presents the results of excavations of such sites as Berezan, Nikonion, the chora of Olbia, the chora of Chersonesus, rural settlements of the European Bosporus, sites on the Taman Peninsula, etc. Several articles discuss the Scythians and other local peoples, as well as particular objects. This 6th volume of Colloquia Pontica publishes much previously unknown material, and gives a clear picture of the achievements of scholarship in the study of the North Pontic Region. Included are book reviews and an eloborate listing of new publications. The book is very richly illustrated.