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This volume presents 10 novellas from the collections "Stories of Zurich, Seven Legends," and "The People of Sedwyla," many newly translated for this edition.
Survey of the criticism devoted to Gottfried Keller, the important nineteenth-century writer in German. The works of Gottfried Keller (1819-1890) rank alongside those of Goethe and Thomas Mann, yet this volume is the first in any language to examine the critical assessment and scholarly expertise devoted to him, ranging from the early stages of journalistic criticism to the present day. Professor Ruppel begins by exploring the literary industry in the nineteenth century, the literary market place, the tastes of the reading public, and the expectations of editors, before going on to survey representative journalistic assessments of Keller's writing, including critical correspondence from Keller's contemporaries. Subsequent chapters examine in chronological order the most important milestones in Keller scholarship, particularly twentieth-century criticism and the Anglo-American tradition. There is also a brief history of the translations of Keller's works into English, investigating some of the difficulties confronting English translators of Keller's poetically creative German. The study concludes with an overview of recent scholarly assessments covering the past twenty-five years.
This volume presents 10 novellas from the collections Stories of Zurich, Seven Legends, and The People of Sedwyla, many newly translated for this edition.
Reproduction of the original: Seldwyla Folks by Gottfried Keller
Gottfried Keller is arguably the greatest prose writer of 19th century Switzerland. This study examines his best-known work, Die Leute von Seldwyla, a cycle of ten tales. By means of a close reading, this study uncovers a whole number of undercurrents and tensions in the seemingly sturdy narratives of rural life. In the range and thoughtfulness of his debate with the social, historical and psychological experience of his own age and culture, Keller emerges as a writer of significant stature.
This book examines Gottfried Keller's oeuvre from Der Grüne Heinrich to Martin Salander in the tradition of such pedagogues and humanists as Pestalozzi and Humboldt. Under Keller's quill, writing becomes a means of self-cultivation and personal redemption, eventually becoming a conscious cultivating effort to establish and maintain certain inviolable ethics and truths by which modern man might live and thereby survive. No other study comparable in intent or scope currently exists. It is a major contribution to our understanding of Gottfried Keller and the Humanist Tradition which he furthered.