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Likened to Proust, Gunter Grass, and Virginia Woolf, W. G. Sebald (1944-2001) is one of the most important writers of our time, combining a wide readership with universal critical acclaim. Sebald's refracted and sometimes alienated views of both his native Germany and his adopted English homeland have had astonishing resonance in the German- and English-speaking worlds. In this first collection to appear in English, newly commissioned essays by leading international scholars offer interdisciplinary perspectives on Sebald's work, providing a thorough assessment of his achievement. Sebald's texts deal with issues that lie at the very heart of contemporary culture: memory, exile, identity, repr...
A novel in verse on the adventures of a German-Australian sailor early this century, eg. "The first I heard that the War had really come / was a black-faced officer with a target and a church / on his cap, directing sailors to rip / our decks up, for the coal below. / I turned out of my hammock / to fight them--and our bos'un chucked me a shovel: / We're coaling that battlecruiser. / There! The English are after her!" By an Australian writer.
This book is a gallery of words and images that celebrates the sister arts of poetry and painting. John Hollander, the eminent poet and critic, has selected more than fifty works of painting, print, drawing, photography, and sculpture, from antiquity to the present, and paired them with poems that have addressed the images in their verses. The result is an illuminating and ingeniously organized chronicle of words and images in conversation, as well as a powerful introduction to how, across Western culture, great writers have been inspired by artists' images. Hollander opens the book with an extended critical introduction to the ecphrastic tradition, and closes it with one of his own poems about Monet's La route de ferme St-Simeon, a moving dialogue between seeing and saying, silence and representation. Lavishly illustrated, this book is a powerful witness to the dynamic relations between the visual and verbal that are at the heart of Western culture.
In this classic of scientific literature, the Nobel Laureate and creator of the quantum revolution explores the basics of physics, concluding with an engrossing narrative of how he developed quantum theory. 1925 edition.
Translated by Morton Masius
From the PREFACE TO ORIGINAL EDITION. The present book has for its object the presentation of the lectures which I delivered as foreign lecturer at Columbia University in the spring of the present year under the title: ""The Present System of Theoretical Physics."" The points of view which influenced me in the selection and treatment of the material are given at the beginning of the first lecture. Essentially, they represent the extension of a theoretical physical scheme, the fundamental elements of which I developed in an address at Leyden entitled: ""The Unity of the Physical Concept of the Universe."" Therefore I regard it as advantageous to consider again some of the topics of that lecture. The presentation will not and cannot, of course, claim to cover exhaustively in all directions the principles of theoretical physics. -The Author, Berlin, 1909.
This volume includes new publications of Max Planck's book "A Survey of Physics: A Collection of Lectures and Essays" and his Nobel Prize Address "The Origin and Development of the Quantum Theory." Planck's book contains eight essays on what he considered to be the most important and urgent issues in physics at the beginning of the 20th century. As Planck himself put it "the essays should reach a wider circle of readers," the book should prove attractive to experts, students and all interested in the foundations and philosophy of physics. Physicists would, undoubtedly, be most interested in the last essay (and in Planck's Nobel Prize Address) in which Planck gave a detailed account of how he overcame the difficulties on the road that led him to the quantum theory.